‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Anja Kampe, Thomas Blunt

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Brindley Sherratt, Henry Waddington, Anja Kampe, The Glyndebourne Chorus

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Nathan Vale, Lisa Milne, Mark Elder, Thomas Blunt, Torsten Kerl, Anja Kampe, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Torsten Kerl, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Brindley Sherratt, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Mark Elder, Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Thomas Blunt, Brindley Sherratt, Nathan Vale, Lisa Milne, Torsten Kerl, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Mark Elder, Lisa Milne, Henry Waddington, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Nathan Vale, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Nathan Vale, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Lisa Milne, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Lisa Milne, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Andrew Kennedy, Anja Kampe, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, Thomas Blunt, Nathan Vale, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Brindley Sherratt

2:17

Marsch

Anthony Cleverton, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Lisa Milne

2:02

Dialog "Die Depeschen"

Mark Elder, Nathan Vale, Henry Waddington, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Anja Kampe, Lisa Milne, Mark Elder, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Lisa Milne, Henry Waddington, Torsten Kerl

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Andrew Kennedy, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Anja Kampe, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, Torsten Kerl, Henry Waddington, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Thomas Blunt, Andrew Kennedy

1:37

Finale "O welche Lust!"

Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Andrew Kennedy, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Lisa Milne, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Lisa Milne, Brindley Sherratt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Thomas Blunt, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Henry Waddington, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, Anthony Cleverton, Henry Waddington, Lisa Milne, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Anja Kampe, Nathan Vale, Torsten Kerl, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Andrew Kennedy, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Henry Waddington, Mark Elder, Torsten Kerl, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Brindley Sherratt, Nathan Vale, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Mark Elder, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

3:59

Dialog "Er erwacht!"

Mark Elder, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Henry Waddington, Lisa Milne, Thomas Blunt, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

0:57

Quartett "Er sterbe!"

Torsten Kerl, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt

3:32

Dialog "Vater Rocco!"

The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Mark Elder, Anja Kampe, Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Torsten Kerl

0:18

Dialog "Es schlägt der Rache Stunde!"

London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Thomas Blunt, Henry Waddington, Torsten Kerl, Anthony Cleverton, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, Henry Waddington, Thomas Blunt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Mark Elder, Thomas Blunt, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anja Kampe

2:55

Dialog "Gute Botschaft"

Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Henry Waddington, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, Anja Kampe, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Torsten Kerl, Lisa Milne

4:44

Finale "Gott! Welch ein Augenblick!"

Mark Elder, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Mark Elder, Henry Waddington, Torsten Kerl

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album