‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt

0:55

Arie "O wär' ich schon mit dir vereint"

Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

London Philharmonic Orchestra, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Nathan Vale, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anja Kampe, Thomas Blunt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Thomas Blunt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Anja Kampe, Lisa Milne, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, Brindley Sherratt, Thomas Blunt

2:17

Marsch

London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Nathan Vale, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

2:02

Dialog "Die Depeschen"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Thomas Blunt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Mark Elder, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:44

Dialog "Aber Marzelline"

Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale

2:49

Finale "Nun sprecht, wie ging's?"

Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt

4:19

Introduction to Act 2

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt

3:59

Dialog "Er erwacht!"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Lisa Milne, Thomas Blunt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt

0:57

Quartett "Er sterbe!"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Thomas Blunt

3:32

Dialog "Vater Rocco!"

Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt

0:18

Dialog "Es schlägt der Rache Stunde!"

Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Mark Elder, Nathan Vale, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

2:55

Dialog "Gute Botschaft"

Nathan Vale, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:04

Finale "Des besten königs Wink und Wille"

London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne

4:44

Finale "Gott! Welch ein Augenblick!"

Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne, Torsten Kerl, Peter Coleman-Wright

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Peter Coleman-Wright

Baritone
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album