Ouvertüre
Nathan Vale, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Thomas Blunt, Nathan Vale
Dialog "Jaquino, Jaquino!"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Torsten Kerl, Brindley Sherratt
Quartett "Mir ist so wunderbar"
Torsten Kerl, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne
Dialog "Höre, Fidelio..."
The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Nathan Vale, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Thomas Blunt, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Thomas Blunt
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Torsten Kerl, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton
Terzett "Nur auf der Hut, dann geht es gut"
Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Lisa Milne, Nathan Vale
Marsch
Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt
Dialog "Die Depeschen"
Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl
Arie mit Chor "Ha! Welch ein Augenblick!"
Mark Elder, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl
Duett "Jetzt, Alter, jetzt hat es Eile!"
Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Thomas Blunt
Arie "Komm, Hoffnung, lass den letzten Stern"
Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Aber Marzelline"
Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Thomas Blunt
Finale "O welche Lust!"
Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus
Finale "Nun sprecht, wie ging's?"
London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl
Finale "Ach! Vater, eilt!"
Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt
Finale "Leb' wohl, du warmes Sonnenlicht"
Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Lisa Milne
Introduction to Act 2
Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Thomas Blunt
Arie "Gott! Welch' Dunkel hier!"
London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl
Arie "In des Lebens Frühlingstagen"
Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Lisa Milne, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Anthony Cleverton, Nathan Vale
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Anthony Cleverton
Duett "Nur hurtig fort, nur frisch gegraben"
Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus
Dialog "Er erwacht!"
The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Torsten Kerl, Nathan Vale
Terzett "Euch werde Lohn in besser'n Welten"
The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Nathan Vale, Thomas Blunt, Lisa Milne
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt
Quartett "Er sterbe!"
Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Vater Rocco!"
London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne
Dialog "Es schlägt der Rache Stunde!"
Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Thomas Blunt
Dialog "Meine Leonore, was hast du für mich erduldet!"
Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt
Duett "O namenlose Freude!"
Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Torsten Kerl, Anthony Cleverton
Dialog "Gute Botschaft"
Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus
Finale "Heil sei dem Tag, Heil sei der Stunde"
Torsten Kerl, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Anthony Cleverton, Brindley Sherratt
Finale "Des besten königs Wink und Wille"
Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne
Finale "Gott! Welch ein Augenblick!"
Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Mark Elder, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt