Voix du moyen-âge (Early Music)

Ekleipsis (Music of Ancient Greece) [Lyrics By Archilchos, 650 BC]

Alleluia, Ha-Houwadha-lAruç… (Byzatine Chant) [Arabic Language]

Ya walidata-l-ilah (Melchite Sacred Chant)

Dies irae (Gregorian Chant)

Agnus Dei, Omnipotens eterne (Mass From the Year 1000)

Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca.1150)

Sitot me soi (The Art of the Troubadours, Southern France, 11th & 12th c.)

Hyer matin a l’enjornee (The Art of the Trouvères, Northern France, 12th & 13th c.)

Owê dirre nôt (Minnesänger, Holy Roman Empire, 13th c.)

Viderunt omnes, Notum fecit Dominus (The Notre-Dame School, 12th c.)

Longum (Hocket from the Bamberg Manuscript, 13th c.)

Dame que je n’os noumer (Motet from the Montpellier Codex, 13th c.)

Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.)

Mater ora filium (Sacred Music in 14th-c. England)

Echo la primavera (Italian Ars Nova)

De ma doulour (Ars Subtilor)

Salve scema sanctitatis, Salve salus servulorum, Cantant celi agmina (15th c. England)

O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony)

Agnus Dei

Kyrie

Benedictus

Ave dulcissima Maria (Renaissance Motet)

Tallis’ Canon, Eighth Tune for Archbishop Parker’s Psalter (Age of the Reformation)

Anchor che col partire (Italian Madrigal)

Allala, pia Calia (Italian Madrigal)

Crudele acerba (Italian Madrigal)

Constant Penelope (Song from the Elizabethan England)

Flow, My Tears (Song from the Elizabethan England)