‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Nathan Vale, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne

2:17

Marsch

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

5:44

Dialog "Aber Marzelline"

Lisa Milne, Anthony Cleverton, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Nathan Vale, Brindley Sherratt, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

3:59

Dialog "Er erwacht!"

The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Anja Kampe

0:57

Quartett "Er sterbe!"

Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe

3:32

Dialog "Vater Rocco!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, Mark Elder, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Peter Coleman-Wright

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album