Ouvertüre
Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Nathan Vale, Brindley Sherratt, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, Anja Kampe, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra
Dialog "Jaquino, Jaquino!"
Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Lisa Milne, Brindley Sherratt, Mark Elder, Thomas Blunt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright
Quartett "Mir ist so wunderbar"
Anja Kampe, Torsten Kerl, Lisa Milne, Anthony Cleverton, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright
Dialog "Höre, Fidelio..."
Nathan Vale, Anthony Cleverton, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy
Arie "Hat man nicht auch Gold beineben"
Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale
Dialog "Ihr habt schon recht, Meister Rocco"
Anthony Cleverton, Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Brindley Sherratt, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Torsten Kerl, Peter Coleman-Wright
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus
Terzett "Nur auf der Hut, dann geht es gut"
Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Lisa Milne, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright
Marsch
The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe
Dialog "Die Depeschen"
Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt
Arie mit Chor "Ha! Welch ein Augenblick!"
Anja Kampe, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne
Duett "Jetzt, Alter, jetzt hat es Eile!"
The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Anja Kampe
Rezitativ "Abscheulicher! Wo eilst du hin?"
Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Peter Coleman-Wright
Dialog "Aber Marzelline"
Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale
Finale "O welche Lust!"
Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus
Finale "Nun sprecht, wie ging's?"
Anthony Cleverton, Nathan Vale, Brindley Sherratt, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe
Finale "Ach! Vater, eilt!"
Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Anja Kampe, Peter Coleman-Wright
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Lisa Milne
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt, Lisa Milne
Introduction to Act 2
Nathan Vale, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl
Arie "Gott! Welch' Dunkel hier!"
Nathan Vale, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus
Arie "In des Lebens Frühlingstagen"
Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Thomas Blunt
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl
Duett "Nur hurtig fort, nur frisch gegraben"
Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt, Anja Kampe, Lisa Milne
Dialog "Er erwacht!"
Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
Anja Kampe, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Anja Kampe
Quartett "Er sterbe!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, Nathan Vale, Torsten Kerl
Dialog "Vater Rocco!"
Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale, Torsten Kerl
Dialog "Es schlägt der Rache Stunde!"
Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl
Dialog "Meine Leonore, was hast du für mich erduldet!"
Anthony Cleverton, Brindley Sherratt, Mark Elder, Thomas Blunt, Lisa Milne, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus
Duett "O namenlose Freude!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Anja Kampe
Dialog "Gute Botschaft"
Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Torsten Kerl
Finale "Heil sei dem Tag, Heil sei der Stunde"
Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale
Finale "Des besten königs Wink und Wille"
Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright
Finale "Gott! Welch ein Augenblick!"
London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Mark Elder, Thomas Blunt, Torsten Kerl
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt