‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder

1:28

Quartett "Mir ist so wunderbar"

The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Torsten Kerl

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Mark Elder, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder

2:17

Marsch

Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Torsten Kerl

2:02

Dialog "Die Depeschen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Mark Elder

4:58

Finale "Ach! Vater, eilt!"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Lisa Milne

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

4:19

Introduction to Act 2

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder

0:57

Quartett "Er sterbe!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Mark Elder

0:09

Duett "O namenlose Freude!"

Torsten Kerl, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe

2:55

Dialog "Gute Botschaft"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano
Brindley Sherratt

Bass
Mark Elder

Conductor

Beethoven: Fidelio, Op. 72

On This Album