‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:43

Dialog "Jaquino, Jaquino!"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

0:55

Arie "O wär' ich schon mit dir vereint"

Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anja Kampe, Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Nathan Vale, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

2:17

Marsch

Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt

1:37

Finale "O welche Lust!"

Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne

4:19

Introduction to Act 2

Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Mark Elder

3:59

Dialog "Er erwacht!"

Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

0:57

Quartett "Er sterbe!"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder

0:09

Duett "O namenlose Freude!"

Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:55

Dialog "Gute Botschaft"

Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:04

Finale "Des besten königs Wink und Wille"

Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne

4:44

Finale "Gott! Welch ein Augenblick!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album