T. Fleischer: Like Two Branches - Cantata for choir & chamber ensemble, Op. 24
T. Fleischer: Like Two Branches - Selected Passages performed with Kanun, Op. 24
No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
No. 8, 1. Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)
No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)
No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic