‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Brindley Sherratt, Mark Elder, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Nathan Vale, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Henry Waddington, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Mark Elder, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Torsten Kerl, Andrew Kennedy, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, Henry Waddington, Brindley Sherratt, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Brindley Sherratt, Henry Waddington, Mark Elder, Thomas Blunt, Nathan Vale, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, Henry Waddington, Anthony Cleverton, Anja Kampe, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Mark Elder, Anja Kampe, Andrew Kennedy, Henry Waddington

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Henry Waddington, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Brindley Sherratt, Andrew Kennedy

2:17

Marsch

Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Mark Elder, Torsten Kerl, Anja Kampe

2:02

Dialog "Die Depeschen"

Henry Waddington, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Nathan Vale, Peter Coleman-Wright, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Henry Waddington, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Andrew Kennedy, Anja Kampe, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, Andrew Kennedy, Henry Waddington, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Torsten Kerl, Andrew Kennedy, Anja Kampe, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Peter Coleman-Wright, Andrew Kennedy, Anthony Cleverton, Mark Elder, Torsten Kerl, Nathan Vale, Lisa Milne, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Brindley Sherratt, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Mark Elder, Anja Kampe

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Mark Elder, Henry Waddington, Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Andrew Kennedy, Peter Coleman-Wright

1:37

Finale "O welche Lust!"

Andrew Kennedy, Torsten Kerl, Henry Waddington, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Anja Kampe, Nathan Vale, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Mark Elder, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Mark Elder, The Glyndebourne Chorus, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Torsten Kerl, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Nathan Vale, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Lisa Milne, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

4:19

Introduction to Act 2

Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Mark Elder, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Henry Waddington, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Brindley Sherratt, Henry Waddington, Mark Elder, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Thomas Blunt, Anthony Cleverton, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Henry Waddington

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Brindley Sherratt, Henry Waddington, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Anja Kampe

3:59

Dialog "Er erwacht!"

The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Henry Waddington, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Mark Elder, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Nathan Vale, Mark Elder, Torsten Kerl, Lisa Milne, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Andrew Kennedy, Brindley Sherratt, Henry Waddington, Anja Kampe

0:57

Quartett "Er sterbe!"

Henry Waddington, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Mark Elder, Anja Kampe

3:32

Dialog "Vater Rocco!"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Nathan Vale, Thomas Blunt, Andrew Kennedy, Lisa Milne, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Henry Waddington, Torsten Kerl, Anthony Cleverton, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Henry Waddington, Lisa Milne, Mark Elder, Anja Kampe, The Glyndebourne Chorus

2:55

Dialog "Gute Botschaft"

Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anja Kampe, Torsten Kerl, Anthony Cleverton, Henry Waddington, Lisa Milne, The Glyndebourne Chorus

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Mark Elder, London Philharmonic Orchestra, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Anja Kampe, Thomas Blunt, Andrew Kennedy

4:44

Finale "Gott! Welch ein Augenblick!"

Thomas Blunt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Mark Elder, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Mark Elder

Conductor
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album