Ouvertüre
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Lisa Milne, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus
Dialog "Jaquino, Jaquino!"
London Philharmonic Orchestra, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Nathan Vale, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Torsten Kerl
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl
Quartett "Mir ist so wunderbar"
Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Torsten Kerl
Dialog "Höre, Fidelio..."
Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl
Arie "Hat man nicht auch Gold beineben"
Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl
Dialog "Ihr habt schon recht, Meister Rocco"
Nathan Vale, Peter Coleman-Wright, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Torsten Kerl, Lisa Milne, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder
Terzett "Nur auf der Hut, dann geht es gut"
Anthony Cleverton, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl
Marsch
Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Nathan Vale
Dialog "Die Depeschen"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Torsten Kerl
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Torsten Kerl
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Nathan Vale
Duett "Jetzt, Alter, jetzt hat es Eile!"
London Philharmonic Orchestra, Nathan Vale, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl
Arie "Komm, Hoffnung, lass den letzten Stern"
London Philharmonic Orchestra, Mark Elder, Nathan Vale, Brindley Sherratt, Anja Kampe, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl
Dialog "Aber Marzelline"
London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Lisa Milne, Torsten Kerl
Finale "O welche Lust!"
London Philharmonic Orchestra, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl
Finale "Nun sprecht, wie ging's?"
Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Torsten Kerl
Finale "Ach! Vater, eilt!"
Anja Kampe, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt
Introduction to Act 2
London Philharmonic Orchestra, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy
Arie "Gott! Welch' Dunkel hier!"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright
Arie "In des Lebens Frühlingstagen"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Anja Kampe, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, The Glyndebourne Chorus
Duett "Nur hurtig fort, nur frisch gegraben"
London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl
Dialog "Er erwacht!"
Brindley Sherratt, Torsten Kerl, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton
Terzett "Euch werde Lohn in besser'n Welten"
Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Nathan Vale, Thomas Blunt, Torsten Kerl
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Torsten Kerl
Quartett "Er sterbe!"
Brindley Sherratt, Anthony Cleverton, Anja Kampe, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Nathan Vale, Torsten Kerl
Dialog "Vater Rocco!"
London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl
Dialog "Es schlägt der Rache Stunde!"
Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl
Dialog "Meine Leonore, was hast du für mich erduldet!"
Thomas Blunt, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder
Duett "O namenlose Freude!"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt
Dialog "Gute Botschaft"
London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anthony Cleverton, Brindley Sherratt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Torsten Kerl
Finale "Des besten königs Wink und Wille"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl
Finale "Gott! Welch ein Augenblick!"
Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Anja Kampe, Anthony Cleverton
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, Thomas Blunt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus