‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Nathan Vale, Brindley Sherratt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Henry Waddington, Andrew Kennedy, Anja Kampe, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale

2:17

Marsch

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Thomas Blunt, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Mark Elder

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Nathan Vale, Lisa Milne

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Mark Elder, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

1:37

Finale "O welche Lust!"

Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

2:49

Finale "Nun sprecht, wie ging's?"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Mark Elder, London Philharmonic Orchestra

4:19

Introduction to Act 2

Peter Coleman-Wright, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale

3:47

Arie "Gott! Welch' Dunkel hier!"

Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, Nathan Vale, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

3:59

Dialog "Er erwacht!"

Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

0:57

Quartett "Er sterbe!"

Brindley Sherratt, Thomas Blunt, Torsten Kerl, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt

0:18

Dialog "Es schlägt der Rache Stunde!"

Thomas Blunt, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

0:09

Duett "O namenlose Freude!"

Torsten Kerl, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne

2:55

Dialog "Gute Botschaft"

Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra

4:44

Finale "Gott! Welch ein Augenblick!"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Anja Kampe

Soprano
Lisa Milne

Soprano
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album