R. Schumann: Adagio & Allegro in A-Flat Major, Op. 70 (Version for Cello)
R. Schumann: Fantasiestücke, Op. 73 (Version for Cello)
R. Schumann: Fantasiestücke, Op. 73
R. Schumann: Fantasiestücke, Op. 88
R. Schumann: 5 Stücke im Volkston, Op. 102
R. Schumann: 5 Stücke im Volkston, Op. 102
R. Schumann: 5 Stücke im Volkston, Op. 102
R. Schumann: Kinderszenen, Op. 15
R. Schumann: Kinderszenen, Op. 15
R. Schumann: Kreisleriana, Op. 16
R. Schumann: Kinderszenen, Op. 15
R. Schumann: Kinderszenen, Op. 15
R. Schumann: Piano Concerto in A Minor, Op. 54
II. Intermezzo. Andantino grazioso –
I. Allegro affettuoso (Live at Palazzo dei Congressi, Lugano, 2010)
R. Schumann: Piano Concerto in A Minor, Op. 54
II. Intermezzo. Andantino grazioso – (Live at Palazzo dei Congressi, Lugano, 2010)
III. Allegro vivace (Live at Palazzo dei Congressi, Lugano, 2010)
I. Allegro affettuoso (Live at Gewandhaus Leipzig, 2006)
R. Schumann: Piano Concerto in A Minor, Op. 54
II. Intermezzo. Andantino grazioso – (Live at Gewandhaus Leipzig, 2006)
III. Allegro vivace (Live at Gewandhaus Leipzig, 2006)
R. Schumann: Piano Sonata No. 2 in G Minor, Op. 22
R. Schumann: Piano Sonata No. 2 in G Minor, Op. 22
R. Schumann: 3 Romances, Op. 94
R. Schumann: Sonata No. 1 for Violin and Piano in A Minor, Op. 105
R. Schumann: Sonata No. 2 for Violin and Piano in D Minor, Op. 121
R. Schumann: Violin Sonata No. 1 in A Minor, Op. 105
R. Schumann: 6 Studien in kanonischer Form, Op. 56 (Arr. Debussy for 2 Pianos)
No. 1 in C Major. Nicht zu schnell (Live at Teatro Colón, Buenos Aires, 2015)
No. 2 in A Minor. Mit innigem Ausdruck (Live at Teatro Colón, Buenos Aires, 2015)
No. 3 in E Major. Andantino (Live at Teatro Colón, Buenos Aires, 2015)
No. 4 in A-Flat Major. Innig (Live at Teatro Colón, Buenos Aires, 2015)
R. Schumann: 6 Studien in kanonischer Form, Op. 56 (Arr. Debussy for 2 Pianos)
No. 5 in B Minor. Nicht zu schnell (Live at Teatro Colón, Buenos Aires, 2015)
No. 6 in B Major. Adagio (Live at Teatro Colón, Buenos Aires, 2015)
Shchedrin: Double Concerto for Piano, Cello, and Orchestra "Romantic Offering"
I. Moderato quasi andantino (Live)
Shostakovich: Piano Concerto No. 1 in C Minor, Op. 35
I. Allegro moderato
IV. Allegro con brio
Shostakovich: Cello Sonata in D Minor, Op. 40
Shostakovich: Piano Trio No. 2 in E Minor, Op. 67
I. The Bride's Chamber "La tresse"
Anny Mory, Krystian Zimerman, Leonard Bernstein, Cyprien Katsaris, Patricia Parker, Martha Argerich, Homero Francesch, English Bach Festival Chorus, English Bach Festival Percussion Ensemble, Paul Hudson, John Mitchinson
II. The Bridegroom's House
Anny Mory, Homero Francesch, Martha Argerich, English Bach Festival Percussion Ensemble, Paul Hudson, Leonard Bernstein, Cyprien Katsaris, Patricia Parker, English Bach Festival Chorus, John Mitchinson, Krystian Zimerman
Stravinsky: Les Noces, K40, Pt. 1
III. The Departure of the Bride
Homero Francesch, English Bach Festival Percussion Ensemble, Paul Hudson, Krystian Zimerman, John Mitchinson, English Bach Festival Chorus, Martha Argerich, Anny Mory, Leonard Bernstein, Cyprien Katsaris, Patricia Parker
Stravinsky: Les Noces, K40, Pt. 2
IV. The Wedding Feast
English Bach Festival Chorus, John Mitchinson, Anny Mory, Martha Argerich, English Bach Festival Percussion Ensemble, Paul Hudson, Krystian Zimerman, Homero Francesch, Leonard Bernstein, Cyprien Katsaris, Patricia Parker
I. The Bride's Chamber "La tresse" (Live at Auditorio Stelio Molo, Lugano, 2004)
Alexander Mogilevsky, Diego Fasolis, Yulia Zaichkina, Lugano Percussion Group, Helene Schneiderman, Alexander Gurning, Susan Roberts, Carsten Wittmoser, Martha Argerich, Coro della Radiotelevisione Svizzera di Lugano, Daniel Norman, Helene Schneidermann
II. The Bridegroom's House (Live at Auditorio Stelio Molo, Lugano, 2004)
Susan Roberts, Alexander Gurning, Daniel Norman, Yulia Zaichkina, Lugano Percussion Group, Helene Schneiderman, Carsten Wittmoser, Martha Argerich, Alexander Mogilevsky, Coro della Radiotelevisione Svizzera di Lugano, Diego Fasolis, Helene Schneidermann
Stravinsky: Les noces, K40, Pt. 1
III. The Departure of the Bride (Live at Auditorio Stelio Molo, Lugano, 2004)
Coro della Radiotelevisione Svizzera di Lugano, Carsten Wittmoser, Martha Argerich, Susan Roberts, Diego Fasolis, Daniel Norman, Alexander Gurning, Yulia Zaichkina, Lugano Percussion Group, Alexander Mogilevsky, Helene Schneiderman, Helene Schneidermann
Stravinsky: Les noces, K40, Pt. 2
IV. The Wedding Feast (Live at Auditorio Stelio Molo, Lugano, 2004)
Helene Schneiderman, Diego Fasolis, Daniel Norman, Carsten Wittmoser, Martha Argerich, Alexander Mogilevsky, Yulia Zaichkina, Lugano Percussion Group, Alexander Gurning, Susan Roberts, Coro della Radiotelevisione Svizzera di Lugano, Helene Schneidermann
I-VIII. The Adoration of the Earth (Live at Philharmonie Berlin, 2014)
Stravinsky: Suite Italienne from Pulcinella, K34 (Arr. Piatigorsky for Cello & Piano)
I. Allegro non troppo e molto maestoso - Allegro con spirito
II. Andantino semplice - Prestissimo - Tempo I
I. Allegro non troppo e molto maestoso – Allegro con spirito (Live at Herkulessaal, Munich, 1980)
II. Andantino semplice – Prestissimo – Tempo I (Live at Herkulessaal, Munich, 1980)
III. Allegro con fuoco – Molto meno mosso – Allegro vivo (Live at Herkulessaal, Munich, 1980)
I. Allegro non troppo e molto maestoso – Allegro con spirito (Live)
II. Andantino semplice – Prestissimo – Tempo I (Live)
III. Allegro con fuoco – Molto meno mosso – Allegro vivo (Live)
I. Pezzo elegiaco. Moderato assai – Allegro giusto (Live)
IIa. Tema con Variazioni: a. Theme. Andante con moto (Live)
IIa. Tema con Variazioni: b. Var. 1. L'istesso tempo (Live)
IIa. Tema con Variazioni: d. Var. 3. Allegro moderato (Live)
IIa. Tema con Variazioni: e. Var. 4. L'istesso tempo (Live)
IIa. Tema con Variazioni: f. Var. 5. L'istesso tempo (Live)
IIa. Tema con Variazioni: g. Var. 6. Tempo di valse (Live)
IIa. Tema con Variazioni: h. Var. 7. Allegro moderato (Live)
IIa. Tema con Variazioni: i. Var. 8. Fuga. Allegro moderato (Live)
IIa. Tema con Variazioni: j. Var. 9. Andante flebile, ma non tanto (Live)
IIa. Tema con Variazioni: k. Var. 10. Tempo di mazurka (Live)
IIb. Variazione finale e coda: a. Allegro risoluto e con fuoco (Live)
IIb. Variazione finale e coda: b. Coda. Lugubre. Andante con moto (Live)
Production
- Cord GarbenProducer, Executive Producer
- Sid McLauchlanProducer
- Ewald MarklProducer, Executive Producer, Co-Producer
- Volker StrausProducer
- Martin T:son EngstroemProducer, Executive Producer
- Hanno RinkeProducer, Executive Producer
- Wolfgang StengelRecording Supervisor, Producer
- Nicolas BartholoméeProducer
- Rudolf WernerProducer
- Dr. Rudolf WernerExecutive Producer
- Michael RastProducer
- Joachim MullerProducer
- Günther BreestProducer
- Tom ArndtPackage Coordinator
- Leif CovingtonPackage Coordinator
- Joseph SzurlyExecutive Producer
- Mariette VialaProducer
- Friedemann EngelbrechtProducer
- Anna BarryRecording Supervisor
- Markus KettnerProduction Coordinator
- Manuel LopezProduction Coordinator
- John HelyarProducer
- Johannes GleimProduction Coordinator
- David S. ButchartProject Manager
- Gabriele von Beust-KurthRecording Supervisor
- Helmut A. MühleProducer
- Hans WeberRecording Supervisor
- Ulrich RuscherProducer
- Karl FaustExecutive Producer
- Rainer BrockProducer
- Christopher AlderProducer, Executive Producer
- Wolf-Dieter KarwatkyRecording Engineer
- Cord GarbenEditing Engineer
- Jürgen BulgrinRecording Engineer, Editing Engineer
- Karl-August NaeglerBalance Engineer
- Sid McLauchlanRecording Engineer
- Classic SoundRecording Engineer, Editing Engineer
- Jonathan StokesBalance Engineer
- Cees HeijkoopRecording Engineer
- Hans-Ulrich BastinEditing Engineer
- Rainer MaillardBalance Engineer
- Wolfgang MitlehnerRecording Engineer, Balance Engineer
- Jobst EberhardtRecording Engineer, Editing Engineer
- Wolfgang StengelRecording Engineer
- Joachim NissRecording Engineer
- Michael RastEditing Engineer
- Toine MertensBalance Engineer
- Klaus BehrensRecording Engineer, Editing Engineer
- Hans-Rudolf MüllerRecording Engineer
- Heinz WildhagenBalance Engineer
- Helmut BurkEditing Engineer
- Marion BénetRecording Engineer
- Aurélie MessonierRecording Engineer
- Matthias ErbMastering Engineer
- Mariette VialaMastering Engineer
- Julian SchwenknerRecording Engineer
- Federico GuastellaAssistant Recording Engineer
- Kali SonRecording Engineer
- Ian WatsonMastering Engineer
- Stephan FlockBalance Engineer, Editing Engineer
- Nicolaus de BecoRecording Engineer
- Gudrun MaurerEditing Engineer
- Takashi SakuraiBalance Engineer
- Yujiro SaitohRecording Engineer
- Helmut A. MühleRecording Engineer
- Gernot WesthaeuserRecording Engineer
- Hans-Peter SchweigmannBalance Engineer
- Manfred BartelRecording Engineer, Editing Engineer
- Diego FasolisEditing Engineer
- René MöllerRecording Engineer
- Gregor PiatigorskyEditing Engineer
- Nicolas de BecoRecording Engineer
- Gernot von SchultzendorffBalance Engineer
- Christopher AlderEditing Engineer
- Reinhard LagemannRecording Engineer, Editing Engineer
- Reinhild SchmidtEditing Engineer
- Hanno RinkeLiner Notes
- Richard OsborneLiner Notes
- Michael StegemannLiner Notes
- Jeremy SiepmannLiner Notes
- Dagmar ClottuLiner Notes
- John WarrackLiner Notes
- Phil. Heinrich LindlarLiner Notes
- William DrabkinLiner Notes
- Daniel FesquetBooklet Editor
- Joan ChissellLiner Notes
- Volker ScherliessLiner Notes
- Hans-Werner KüthenLiner Notes
- Roger NicholsLiner Notes
- Wolfgang DomlingLiner Notes
- Paul GriffithsLiner Notes
- Jean RoyLiner Notes
- Matthew BradyPhotography
- Olivier DelhayeGraphic Design
- Pat BarryCreative Director
- Johan JacobsPhotography
- Ullstein BilderdienstPhotography
- Fred MunzmaierCreative Director
- Andrés Fernándes MarcosPhotography
- Jürgen OstPhotography
- Pauline FaircloughLiner Notes
- David BrownLiner Notes
- Anne-Catherine DutoitLiner Notes
- Stephanie ArgerichPhotography
- Hartmut PfeifferCreative Director
- Detlef GojowyLiner Notes
- Susesch BayatPhotography
- David FanningLiner Notes
- Peter SchuppeCreative Director
- Daniel HellmannCover Art
