‎Beethoven: Fidelio, Op. 72 di The Glyndebourne Chorus

Ouvertüre

The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Lisa Milne

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Thomas Blunt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Anthony Cleverton

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Thomas Blunt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Anja Kampe, Torsten Kerl, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Mark Elder, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl

2:17

Marsch

Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, Nathan Vale, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Anja Kampe, Anthony Cleverton, Lisa Milne

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Anja Kampe, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Peter Coleman-Wright

2:49

Finale "Nun sprecht, wie ging's?"

Thomas Blunt, Anthony Cleverton, Nathan Vale, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Mark Elder, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Lisa Milne, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Anja Kampe

3:59

Dialog "Er erwacht!"

Mark Elder, Anthony Cleverton, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Mark Elder, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Torsten Kerl, Anja Kampe

3:32

Dialog "Vater Rocco!"

Torsten Kerl, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

0:09

Duett "O namenlose Freude!"

The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Anja Kampe

2:55

Dialog "Gute Botschaft"

Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe, Torsten Kerl, Thomas Blunt

4:44

Finale "Gott! Welch ein Augenblick!"

Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Mark Elder, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, Anja Kampe

4:23

Ludwig van Beethoven

Composizione
Andrew Kennedy

Tenore
London Philharmonic Orchestra

Orchestra
Mark Elder

Direzione
Brindley Sherratt

Basso

Beethoven: Fidelio, Op. 72

In questo album