I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Highgate School Boys Choir, Collegiate Chorale, Israel Philharmonic Orchestra, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, London Symphony Orchestra, Leonard Bernstein
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, Collegiate Chorale, New York Philharmonic, Lee Venora, Jennie Tourel
II. Tempo di Menuetto
New York Philharmonic, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein
III. Comodo. Scherzando
Leonard Bernstein, New York Philharmonic, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration
IV. Sehr langsam; Misterioso
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Leonard Bernstein, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Leeds Festival Chorus, Highgate School Boys Choir, London Symphony Orchestra, Leonard Bernstein, Orpington Junior Singers, London Symphony Chorus, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leeds Festival Chorus, Leonard Bernstein, Highgate School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Orpington Junior Singers, Finchley Children's Music Group
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen