‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Nathan Vale, Brindley Sherratt, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Lisa Milne, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Thomas Blunt, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Nathan Vale, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Torsten Kerl, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt

2:17

Marsch

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Lisa Milne, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Torsten Kerl, Nathan Vale, Mark Elder, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Anja Kampe

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

1:37

Finale "O welche Lust!"

Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, London Philharmonic Orchestra

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Brindley Sherratt, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anja Kampe, Nathan Vale

4:19

Introduction to Act 2

Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Nathan Vale, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Lisa Milne, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

0:57

Quartett "Er sterbe!"

Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Thomas Blunt, Brindley Sherratt, Lisa Milne, Anja Kampe

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra

0:18

Dialog "Es schlägt der Rache Stunde!"

Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anja Kampe, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Mark Elder

2:55

Dialog "Gute Botschaft"

Torsten Kerl, Mark Elder, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Mark Elder

Conductor
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album