Ouvertüre
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Torsten Kerl
Dialog "Jaquino, Jaquino!"
Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Torsten Kerl
Arie "O wär' ich schon mit dir vereint"
Lisa Milne, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne
Dialog "Höre, Fidelio..."
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder
Arie "Hat man nicht auch Gold beineben"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Mark Elder, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Marsch
Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Die Depeschen"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder
Arie mit Chor "Ha! Welch ein Augenblick!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder
Duett "Jetzt, Alter, jetzt hat es Eile!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt
Rezitativ "Abscheulicher! Wo eilst du hin?"
Torsten Kerl, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl
Dialog "Aber Marzelline"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra
Finale "O welche Lust!"
Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Torsten Kerl
Finale "Nun sprecht, wie ging's?"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Ach! Vater, eilt!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Introduction to Act 2
Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "Gott! Welch' Dunkel hier!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne
Arie "In des Lebens Frühlingstagen"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder
Duett "Nur hurtig fort, nur frisch gegraben"
Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt
Dialog "Er erwacht!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Euch werde Lohn in besser'n Welten"
Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Quartett "Er sterbe!"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra
Dialog "Vater Rocco!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Thomas Blunt
Dialog "Meine Leonore, was hast du für mich erduldet!"
Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Duett "O namenlose Freude!"
Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Brindley Sherratt
Dialog "Gute Botschaft"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl
Finale "Heil sei dem Tag, Heil sei der Stunde"
Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Finale "Des besten königs Wink und Wille"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne
Finale "Gott! Welch ein Augenblick!"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder