‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Lisa Milne, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Anthony Cleverton, Nathan Vale, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Anthony Cleverton, Mark Elder, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Lisa Milne

1:28

Quartett "Mir ist so wunderbar"

Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Thomas Blunt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Nathan Vale, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Henry Waddington, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Lisa Milne, Nathan Vale, Torsten Kerl, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Lisa Milne, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Mark Elder, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Mark Elder, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Thomas Blunt, Lisa Milne, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

2:17

Marsch

Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Torsten Kerl, Anja Kampe, Henry Waddington, Mark Elder, Lisa Milne, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

Andrew Kennedy, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Mark Elder, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Torsten Kerl, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Henry Waddington, Lisa Milne, Andrew Kennedy, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt, Anthony Cleverton

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Brindley Sherratt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Anja Kampe

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Thomas Blunt, Henry Waddington, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt

1:37

Finale "O welche Lust!"

Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Nathan Vale, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Brindley Sherratt, Henry Waddington, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Lisa Milne, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Thomas Blunt, Lisa Milne, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

The Glyndebourne Chorus, Peter Coleman-Wright, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Nathan Vale, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Nathan Vale, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Torsten Kerl, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

Anthony Cleverton, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Thomas Blunt, Andrew Kennedy, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Nathan Vale, Thomas Blunt, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Mark Elder, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Anthony Cleverton, Nathan Vale, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

0:57

Quartett "Er sterbe!"

Andrew Kennedy, Torsten Kerl, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Mark Elder, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

3:32

Dialog "Vater Rocco!"

The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Andrew Kennedy, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Nathan Vale, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Lisa Milne, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Mark Elder, Nathan Vale, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:09

Duett "O namenlose Freude!"

Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Anja Kampe

2:55

Dialog "Gute Botschaft"

Andrew Kennedy, Mark Elder, Anthony Cleverton, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Mark Elder, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Nathan Vale, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Mark Elder, Nathan Vale, Torsten Kerl, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Henry Waddington, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album