O mio babbino caro (Arr. for Cello and Orchestra)
Cello at the Opera
Many say that the cello is the closest instrument to the human voice, which seems true in these passionate interpretations of beloved arias. Mozart’s soaring lyricism settles perfectly here, as do the heroic and tragic melodies of Puccini and Verdi. Maer evokes the full breadth of the human instrument with this satisfying effort.
Au fond du temple saint (Arr. for Cello and Orchestra)
4. Pie Jesu (Arr. Joseph Twist)
Narine Melconian, Stefan Duwe, Kirsty McCahon, Michelle Kelly, Rosemary Quinn, Sally Maer, Catherine Davis
Aria: Voi che sapete (Arr. Joseph Twist)
Narine Melconian, Sally Maer, Stefan Duwe, Rosemary Quinn, Michelle Kelly, Jason Noble, Andrew Barnes
Pur ti miro (Arr. Joseph Twist)
Catherine Davis, Stefan Duwe, Rosemary Quinn, Michelle Kelly, Narine Melconian, Sally Maer
Sous le dôme épais (Arr. for Cello and Orchestra)
Time To Say Goodbye (Con te partirò) (Arr. Joseph Twist)
Stefan Duwe, Michelle Kelly, Narine Melconian, Rosemary Quinn, Kirsty McCahon, Sally Maer
Libiamo ne'lieti calici (Brindisi) (Arr. for Cello and Orchestra)
Séguedille (Près des remparts de Séville) (Arr. for Cello and Orchestra)
Song To The Moon (Arr. for Cello and Orchestra)
Abendsegen (Arr. Joseph Twist)
Narine Melconian, Michelle Kelly, Stefan Duwe, Rosemary Quinn, Kirsty McCahon, Sally Maer
Where'er You Walk (Arr. Joseph Twist)
Rosemary Quinn, Kirsty McCahon, Catherine Davis, Narine Melconian, Stefan Duwe, Michelle Kelly, Sally Maer
Dido's Lament: When I Am Laid In Earth (Arr. Joseph Twist)
Michelle Kelly, Catherine Davis, Narine Melconian, Stefan Duwe, Kirsty McCahon, Sally Maer, Rosemary Quinn
Soave sia il vento (Arr. for Cello and Orchestra)
La donna è mobile (Arr. for Cello and Orchestra)