‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Andrew Kennedy, Lisa Milne, Thomas Blunt, Henry Waddington, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, Henry Waddington, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Andrew Kennedy, Nathan Vale, Mark Elder, Torsten Kerl, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, Mark Elder, Nathan Vale, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Mark Elder, Nathan Vale, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Lisa Milne, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Nathan Vale, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, Torsten Kerl, Henry Waddington, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Mark Elder, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anthony Cleverton, Henry Waddington, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Thomas Blunt, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, Lisa Milne, Nathan Vale, Brindley Sherratt, Thomas Blunt, Mark Elder, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

2:17

Marsch

Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Anja Kampe

2:02

Dialog "Die Depeschen"

Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Thomas Blunt, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Lisa Milne, Anja Kampe, Mark Elder, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Andrew Kennedy, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Anja Kampe, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, Anthony Cleverton, Torsten Kerl, Mark Elder, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Lisa Milne, Torsten Kerl, Nathan Vale, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Mark Elder, Brindley Sherratt, Henry Waddington, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

1:37

Finale "O welche Lust!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Mark Elder, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Lisa Milne, Anja Kampe, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Andrew Kennedy, Nathan Vale, Mark Elder, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Lisa Milne, Thomas Blunt, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Lisa Milne, Andrew Kennedy, Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Henry Waddington, Peter Coleman-Wright

4:19

Introduction to Act 2

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Thomas Blunt, Andrew Kennedy, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Torsten Kerl, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Lisa Milne, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Mark Elder, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Thomas Blunt, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Peter Coleman-Wright, Torsten Kerl, Mark Elder, Henry Waddington, Lisa Milne, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Andrew Kennedy

3:59

Dialog "Er erwacht!"

The Glyndebourne Chorus, Lisa Milne, Mark Elder, Nathan Vale, Brindley Sherratt, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Henry Waddington

2:13

Terzett "Euch werde Lohn in besser'n Welten"

The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Peter Coleman-Wright, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Mark Elder

0:57

Quartett "Er sterbe!"

Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Anthony Cleverton, Henry Waddington, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Mark Elder, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Thomas Blunt

0:18

Dialog "Es schlägt der Rache Stunde!"

Brindley Sherratt, Henry Waddington, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Anja Kampe, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Andrew Kennedy, Nathan Vale, Henry Waddington, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anja Kampe, The Glyndebourne Chorus

0:09

Duett "O namenlose Freude!"

Thomas Blunt, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Mark Elder, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Lisa Milne, Thomas Blunt, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, Torsten Kerl, Mark Elder, Nathan Vale, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Andrew Kennedy, Nathan Vale, Lisa Milne, Thomas Blunt, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Mark Elder, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Mark Elder

Conductor
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album