‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt

2:17

Marsch

Anthony Cleverton, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Nathan Vale, Anja Kampe

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Lisa Milne

4:19

Introduction to Act 2

London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anthony Cleverton

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder

3:59

Dialog "Er erwacht!"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus

0:57

Quartett "Er sterbe!"

Brindley Sherratt, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder

3:32

Dialog "Vater Rocco!"

Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

Lisa Milne, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe

0:09

Duett "O namenlose Freude!"

Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

2:55

Dialog "Gute Botschaft"

Torsten Kerl, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Lisa Milne

Soprano
Anja Kampe

Soprano
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album