Ouvertüre
Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Thomas Blunt, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Brindley Sherratt
Dialog "Jaquino, Jaquino!"
Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt
Arie "O wär' ich schon mit dir vereint"
Torsten Kerl, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt
Quartett "Mir ist so wunderbar"
London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt
Dialog "Höre, Fidelio..."
Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt
Arie "Hat man nicht auch Gold beineben"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Brindley Sherratt
Dialog "Ihr habt schon recht, Meister Rocco"
Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Marsch
Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt
Dialog "Die Depeschen"
Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Brindley Sherratt
Arie mit Chor "Ha! Welch ein Augenblick!"
Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, Brindley Sherratt
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Brindley Sherratt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Arie "Komm, Hoffnung, lass den letzten Stern"
Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Aber Marzelline"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Brindley Sherratt
Finale "O welche Lust!"
Mark Elder, Lisa Milne, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt
Finale "Nun sprecht, wie ging's?"
Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Finale "Ach! Vater, eilt!"
Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Lisa Milne, Brindley Sherratt
Introduction to Act 2
Thomas Blunt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe
Arie "Gott! Welch' Dunkel hier!"
London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt
Arie "In des Lebens Frühlingstagen"
Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Duett "Nur hurtig fort, nur frisch gegraben"
Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt
Dialog "Er erwacht!"
Torsten Kerl, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Brindley Sherratt
Terzett "Euch werde Lohn in besser'n Welten"
Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt
Quartett "Er sterbe!"
Thomas Blunt, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt
Dialog "Es schlägt der Rache Stunde!"
London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl
Dialog "Meine Leonore, was hast du für mich erduldet!"
London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt
Duett "O namenlose Freude!"
Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt
Dialog "Gute Botschaft"
Lisa Milne, Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt
Finale "Des besten königs Wink und Wille"
Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt
Finale "Gott! Welch ein Augenblick!"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Thomas Blunt, Brindley Sherratt
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt