Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Benjamin Schmid, Wroclaw Witold Lutoslawski Philharmonic, Ramon Jaffé, Daniel Raiskin
- Eugene Scribe, James Robinson Planche, Bertha Forster-Lauterer, Elise Elizza, Laura Hilgermann, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Leon-Levy Brunswick, Antonio Ghislanzoni, Elsa Bland, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr, Adolphe de Leuven, Gertrude Forstel, Sara Charles-Cahier, Georg Maikl, Jules Barbier, Hermine Kittel, Grete Forst, Erik Schmedes, Solomon Hermann von Mosenthal, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Wilhelm Hesch, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Franz Naval, Josef Wenzig, Marie Gutheil-Schoder, Michel Carré, Franz Pacal
- Hermann Winkelmann, Rene Fournets, Franz Pacal, Paul Daraux, Giovanni Apostulo, Ellen Beach Yaw, Desire Pauwels, Kate Cove, Felix Asch, Selma Kurz, Joseph O'Mara, Caro Roma, Ferruccio Giannini, A. Del Campo, Gabriel Soulacroix, Fraulein Vroni Eidner, Marie Tempest, Studio Pianist, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Edna May, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Theodor Bertram, Edith Clegg
- Selma Kurz, Sigrid Arnoldson, Emma Eames, Agnes Bedford, Nina de Friede, Ada Crossley, Ellen Beach Yaw, Yvonne de Treville, Nellie Melba, Robert Ainsworth, Bruno Seidler-Winkler, Emma Calve, Francesco Paolo Tosti, Frances Alda, Blanche Marchesi, Suzanne Adams, Blanche Arral, Elizabeth Parkina
- Manuel Utor, Erik Schmedes, Paul Franz, Augusto Dianni, David Jushin, Edoardo Ferrari Fontana, Andrei Labinsky, Gaetano Pini-Corsi, Vasili Damaev, Peter Raitscheff, Giovanni Martinelli, Mario Gilion, Modest Menzinsky
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
