Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Daniel Raiskin, Benjamin Schmid, Ramon Jaffé, Wroclaw Witold Lutoslawski Philharmonic
- Sara Charles-Cahier, Georg Maikl, Jules Barbier, Leon-Levy Brunswick, Antonio Ghislanzoni, Adolphe de Leuven, Gertrude Forstel, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Solomon Hermann von Mosenthal, Josef Wenzig, Marie Gutheil-Schoder, Erik Schmedes, Wilhelm Hesch, Bertha Forster-Lauterer, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Michel Carré, Franz Pacal, Franz Naval, Elise Elizza, Laura Hilgermann, Eugene Scribe, James Robinson Planche, Elsa Bland, Hermine Kittel, Grete Forst, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr
- Selma Kurz, Joseph O'Mara, A. Del Campo, Hermann Winkelmann, Franz Pacal, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Ellen Beach Yaw, Desire Pauwels, Paul Daraux, Giovanni Apostulo, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Felix Asch, Gabriel Soulacroix, Fraulein Vroni Eidner, Marie Tempest, Kate Cove, Caro Roma, Ferruccio Giannini, Studio Pianist, Theodor Bertram, Edith Clegg, Rene Fournets, Edna May
- Ellen Beach Yaw, Francesco Paolo Tosti, Frances Alda, Blanche Marchesi, Selma Kurz, Sigrid Arnoldson, Ada Crossley, Bruno Seidler-Winkler, Emma Calve, Nina de Friede, Emma Eames, Agnes Bedford, Robert Ainsworth, Suzanne Adams, Nellie Melba, Blanche Arral, Elizabeth Parkina, Yvonne de Treville
- Edoardo Ferrari Fontana, Erik Schmedes, David Jushin, Giovanni Martinelli, Mario Gilion, Manuel Utor, Peter Raitscheff, Modest Menzinsky, Paul Franz, Augusto Dianni, Vasili Damaev, Gaetano Pini-Corsi, Andrei Labinsky
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
