Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Benjamin Schmid, Daniel Raiskin, Wroclaw Witold Lutoslawski Philharmonic, Ramon Jaffé
- Erik Schmedes, Josef Wenzig, Marie Gutheil-Schoder, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Franz Naval, Michel Carré, Franz Pacal, Solomon Hermann von Mosenthal, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Wilhelm Hesch, Leon-Levy Brunswick, Antonio Ghislanzoni, Adolphe de Leuven, Gertrude Forstel, Eugene Scribe, James Robinson Planche, Sara Charles-Cahier, Georg Maikl, Jules Barbier, Hermine Kittel, Grete Forst, Elsa Bland, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Elise Elizza, Laura Hilgermann, Bertha Forster-Lauterer, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr
- Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Kate Cove, Paul Daraux, Giovanni Apostulo, A. Del Campo, Hermann Winkelmann, Marie Tempest, Caro Roma, Ferruccio Giannini, Studio Pianist, Ellen Beach Yaw, Desire Pauwels, Rene Fournets, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Franz Pacal, Gabriel Soulacroix, Fraulein Vroni Eidner, Selma Kurz, Joseph O'Mara, Felix Asch, Theodor Bertram, Edith Clegg, Edna May
- Ellen Beach Yaw, Bruno Seidler-Winkler, Emma Calve, Nellie Melba, Nina de Friede, Robert Ainsworth, Blanche Arral, Elizabeth Parkina, Emma Eames, Agnes Bedford, Suzanne Adams, Frances Alda, Blanche Marchesi, Yvonne de Treville, Selma Kurz, Sigrid Arnoldson, Ada Crossley, Francesco Paolo Tosti
- Gaetano Pini-Corsi, David Jushin, Vasili Damaev, Paul Franz, Augusto Dianni, Giovanni Martinelli, Mario Gilion, Andrei Labinsky, Edoardo Ferrari Fontana, Modest Menzinsky, Erik Schmedes, Peter Raitscheff, Manuel Utor
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
