Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Ramon Jaffé, Wroclaw Witold Lutoslawski Philharmonic, Benjamin Schmid, Daniel Raiskin
- Sara Charles-Cahier, Georg Maikl, Jules Barbier, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Leon-Levy Brunswick, Antonio Ghislanzoni, Elise Elizza, Laura Hilgermann, Erik Schmedes, Solomon Hermann von Mosenthal, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Elsa Bland, Franz Naval, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Josef Wenzig, Marie Gutheil-Schoder, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Hermine Kittel, Grete Forst, Bertha Forster-Lauterer, Eugene Scribe, James Robinson Planche, Michel Carré, Franz Pacal, Adolphe de Leuven, Gertrude Forstel, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr, Wilhelm Hesch
- Hermann Winkelmann, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Edna May, Marie Tempest, Rene Fournets, Studio Pianist, A. Del Campo, Franz Pacal, Theodor Bertram, Edith Clegg, Ellen Beach Yaw, Desire Pauwels, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Caro Roma, Ferruccio Giannini, Felix Asch, Paul Daraux, Giovanni Apostulo, Selma Kurz, Joseph O'Mara, Kate Cove, Gabriel Soulacroix, Fraulein Vroni Eidner
- Selma Kurz, Sigrid Arnoldson, Robert Ainsworth, Nellie Melba, Suzanne Adams, Ada Crossley, Frances Alda, Blanche Marchesi, Yvonne de Treville, Nina de Friede, Bruno Seidler-Winkler, Emma Calve, Francesco Paolo Tosti, Emma Eames, Agnes Bedford, Ellen Beach Yaw, Blanche Arral, Elizabeth Parkina
- Peter Raitscheff, Modest Menzinsky, Edoardo Ferrari Fontana, Gaetano Pini-Corsi, Erik Schmedes, Paul Franz, Augusto Dianni, Manuel Utor, Giovanni Martinelli, Mario Gilion, Vasili Damaev, Andrei Labinsky, David Jushin
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
