Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Daniel Raiskin, Ramon Jaffé, Wroclaw Witold Lutoslawski Philharmonic, Benjamin Schmid
- Elsa Bland, Elise Elizza, Laura Hilgermann, Michel Carré, Franz Pacal, Bertha Forster-Lauterer, Hermine Kittel, Grete Forst, Leon-Levy Brunswick, Antonio Ghislanzoni, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Erik Schmedes, Wilhelm Hesch, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Eugene Scribe, James Robinson Planche, Solomon Hermann von Mosenthal, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr, Josef Wenzig, Marie Gutheil-Schoder, Sara Charles-Cahier, Georg Maikl, Jules Barbier, Adolphe de Leuven, Gertrude Forstel, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Franz Naval
- Franz Pacal, Caro Roma, Ferruccio Giannini, Kate Cove, Marie Tempest, A. Del Campo, Rene Fournets, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Studio Pianist, Felix Asch, Gabriel Soulacroix, Fraulein Vroni Eidner, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Hermann Winkelmann, Paul Daraux, Giovanni Apostulo, Selma Kurz, Joseph O'Mara, Theodor Bertram, Edith Clegg, Ellen Beach Yaw, Desire Pauwels, Edna May
- Yvonne de Treville, Bruno Seidler-Winkler, Emma Calve, Francesco Paolo Tosti, Suzanne Adams, Emma Eames, Agnes Bedford, Nellie Melba, Ada Crossley, Blanche Arral, Elizabeth Parkina, Selma Kurz, Sigrid Arnoldson, Ellen Beach Yaw, Robert Ainsworth, Frances Alda, Blanche Marchesi, Nina de Friede
- Vasili Damaev, Manuel Utor, David Jushin, Modest Menzinsky, Andrei Labinsky, Gaetano Pini-Corsi, Erik Schmedes, Peter Raitscheff, Edoardo Ferrari Fontana, Giovanni Martinelli, Mario Gilion, Paul Franz, Augusto Dianni
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
