Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Daniel Raiskin, Benjamin Schmid, Wroclaw Witold Lutoslawski Philharmonic, Ramon Jaffé
- Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr, Franz Naval, Sara Charles-Cahier, Georg Maikl, Jules Barbier, Wilhelm Hesch, Hermine Kittel, Grete Forst, Elise Elizza, Laura Hilgermann, Leon-Levy Brunswick, Antonio Ghislanzoni, Erik Schmedes, Michel Carré, Franz Pacal, Adolphe de Leuven, Gertrude Forstel, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Bertha Forster-Lauterer, Elsa Bland, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Solomon Hermann von Mosenthal, Josef Wenzig, Marie Gutheil-Schoder, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Eugene Scribe, James Robinson Planche
- Marie Tempest, Selma Kurz, Joseph O'Mara, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Hermann Winkelmann, Franz Pacal, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Caro Roma, Ferruccio Giannini, A. Del Campo, Ellen Beach Yaw, Desire Pauwels, Kate Cove, Gabriel Soulacroix, Fraulein Vroni Eidner, Felix Asch, Studio Pianist, Rene Fournets, Edna May, Theodor Bertram, Edith Clegg, Paul Daraux, Giovanni Apostulo
- Nina de Friede, Robert Ainsworth, Selma Kurz, Sigrid Arnoldson, Bruno Seidler-Winkler, Emma Calve, Suzanne Adams, Ada Crossley, Nellie Melba, Yvonne de Treville, Ellen Beach Yaw, Emma Eames, Agnes Bedford, Blanche Arral, Elizabeth Parkina, Frances Alda, Blanche Marchesi, Francesco Paolo Tosti
- David Jushin, Erik Schmedes, Paul Franz, Augusto Dianni, Giovanni Martinelli, Mario Gilion, Andrei Labinsky, Modest Menzinsky, Gaetano Pini-Corsi, Edoardo Ferrari Fontana, Manuel Utor, Peter Raitscheff, Vasili Damaev
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
