Ouvertüre
Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne
Dialog "Jaquino, Jaquino!"
Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl
Quartett "Mir ist so wunderbar"
Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
Mark Elder, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton
Dialog "Ihr habt schon recht, Meister Rocco"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt
Marsch
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl
Dialog "Die Depeschen"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Mark Elder
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Duett "Jetzt, Alter, jetzt hat es Eile!"
Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus
Arie "Komm, Hoffnung, lass den letzten Stern"
The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Aber Marzelline"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne
Finale "O welche Lust!"
London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt
Finale "Nun sprecht, wie ging's?"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt
Finale "Ach! Vater, eilt!"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt
Finale "Leb' wohl, du warmes Sonnenlicht"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus
Introduction to Act 2
Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Arie "Gott! Welch' Dunkel hier!"
The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "In des Lebens Frühlingstagen"
The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder
Duett "Nur hurtig fort, nur frisch gegraben"
Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Dialog "Er erwacht!"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra
Terzett "Euch werde Lohn in besser'n Welten"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl
Quartett "Er sterbe!"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Lisa Milne
Dialog "Vater Rocco!"
Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Meine Leonore, was hast du für mich erduldet!"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus
Duett "O namenlose Freude!"
Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl
Dialog "Gute Botschaft"
London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy
Finale "Heil sei dem Tag, Heil sei der Stunde"
Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, The Glyndebourne Chorus
Finale "Des besten königs Wink und Wille"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder
Finale "Gott! Welch ein Augenblick!"
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus