‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Lisa Milne, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:17

Marsch

London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe

2:02

Dialog "Die Depeschen"

Lisa Milne, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, Lisa Milne, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Anja Kampe

1:37

Finale "O welche Lust!"

Lisa Milne, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Brindley Sherratt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Nathan Vale

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Anja Kampe, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe

3:59

Dialog "Er erwacht!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Nathan Vale, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anja Kampe

0:57

Quartett "Er sterbe!"

Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anja Kampe

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Nathan Vale, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Anja Kampe, Nathan Vale, Peter Coleman-Wright

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album