‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Nathan Vale, Anthony Cleverton, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Mark Elder, Brindley Sherratt, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe, Lisa Milne, Thomas Blunt

0:55

Arie "O wär' ich schon mit dir vereint"

Mark Elder, Torsten Kerl, Lisa Milne, Nathan Vale, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anthony Cleverton

4:35

Dialog "Höre, Fidelio..."

Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Thomas Blunt, Anthony Cleverton, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl

0:44

Arie "Hat man nicht auch Gold beineben"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Lisa Milne, Nathan Vale, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Thomas Blunt, Brindley Sherratt, Mark Elder, Anthony Cleverton

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Brindley Sherratt, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Peter Coleman-Wright

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Mark Elder, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe

2:17

Marsch

Mark Elder, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl

2:02

Dialog "Die Depeschen"

Mark Elder, Nathan Vale, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anja Kampe, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Lisa Milne, Mark Elder

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Mark Elder, Thomas Blunt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Mark Elder, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Nathan Vale, Peter Coleman-Wright

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anthony Cleverton

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, Brindley Sherratt, Mark Elder, Torsten Kerl, Anthony Cleverton

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Lisa Milne

1:37

Finale "O welche Lust!"

Brindley Sherratt, Torsten Kerl, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder

2:49

Finale "Nun sprecht, wie ging's?"

Anja Kampe, Torsten Kerl, Nathan Vale, Mark Elder, Thomas Blunt, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe, Nathan Vale, Mark Elder, Brindley Sherratt, Torsten Kerl

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt

4:19

Introduction to Act 2

The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale

3:47

Arie "Gott! Welch' Dunkel hier!"

The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Thomas Blunt, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Torsten Kerl

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Nathan Vale, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Mark Elder

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Lisa Milne

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Mark Elder, Anja Kampe, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright

3:59

Dialog "Er erwacht!"

Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Lisa Milne, Nathan Vale, Thomas Blunt, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt, Anja Kampe, The Glyndebourne Chorus

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

3:32

Dialog "Vater Rocco!"

Torsten Kerl, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

0:18

Dialog "Es schlägt der Rache Stunde!"

Thomas Blunt, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Nathan Vale

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:55

Dialog "Gute Botschaft"

Mark Elder, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anja Kampe, Mark Elder, Nathan Vale, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anja Kampe, Thomas Blunt, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album