‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, Torsten Kerl, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Torsten Kerl

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:17

Marsch

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

2:02

Dialog "Die Depeschen"

Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Thomas Blunt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

1:37

Finale "O welche Lust!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne

4:19

Introduction to Act 2

Brindley Sherratt, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Nathan Vale

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

0:57

Quartett "Er sterbe!"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

0:18

Dialog "Es schlägt der Rache Stunde!"

Anja Kampe, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Torsten Kerl, Mark Elder

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Thomas Blunt, Nathan Vale

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra

4:44

Finale "Gott! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Anja Kampe

Soprano
Lisa Milne

Soprano
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album