‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Torsten Kerl, Andrew Kennedy, Henry Waddington, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Nathan Vale, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Mark Elder, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Henry Waddington, Thomas Blunt, Anja Kampe, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus

0:55

Arie "O wär' ich schon mit dir vereint"

Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Anja Kampe, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Andrew Kennedy, Nathan Vale, Henry Waddington

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Anthony Cleverton, Andrew Kennedy, Brindley Sherratt, Henry Waddington, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Lisa Milne, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Mark Elder, Andrew Kennedy, Henry Waddington, Anja Kampe, Brindley Sherratt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, Brindley Sherratt, Henry Waddington, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Lisa Milne, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Mark Elder, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Henry Waddington, Lisa Milne, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

2:17

Marsch

London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Lisa Milne, Nathan Vale, Anthony Cleverton, Anja Kampe, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Mark Elder, Henry Waddington, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, Henry Waddington, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Brindley Sherratt, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Anthony Cleverton, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington

5:44

Dialog "Aber Marzelline"

Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

1:37

Finale "O welche Lust!"

Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Thomas Blunt, Andrew Kennedy, Mark Elder, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Torsten Kerl, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Mark Elder

4:19

Introduction to Act 2

Mark Elder, Henry Waddington, Nathan Vale, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Mark Elder, Peter Coleman-Wright, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Brindley Sherratt, Henry Waddington, Anthony Cleverton

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, Mark Elder, Thomas Blunt, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Anja Kampe, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Lisa Milne, Nathan Vale, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Henry Waddington, Brindley Sherratt, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

3:59

Dialog "Er erwacht!"

Lisa Milne, Andrew Kennedy, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Brindley Sherratt, Nathan Vale

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Nathan Vale, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anja Kampe, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Torsten Kerl

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Henry Waddington, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Anja Kampe

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anthony Cleverton, Nathan Vale, Lisa Milne, Thomas Blunt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Torsten Kerl, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Nathan Vale, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Andrew Kennedy, Nathan Vale, Henry Waddington, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Lisa Milne, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Henry Waddington, Nathan Vale, Brindley Sherratt, Anja Kampe

0:09

Duett "O namenlose Freude!"

Nathan Vale, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Anja Kampe

2:55

Dialog "Gute Botschaft"

Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Brindley Sherratt, Lisa Milne, Mark Elder, Anthony Cleverton, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, Henry Waddington, Lisa Milne, Anthony Cleverton, Mark Elder, Thomas Blunt, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Anja Kampe, Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Brindley Sherratt, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album