M. Weinberg: Nocturne
Gidon Kremer Essentials
Apple Music Classical
A principal danger of warhorse mania in classical performance is that the great works will come to feel too safe. That's why we need steely soloists like Kremer. His edgy violin attack isn't what comes to mind for most people when conceiving of an ideal Beethoven interpretation—but Kremer's take on the “Kreutzer” sonata (alongside Martha Argerich) has the kind of innovative fire that helps keep the work alive. His engagement with modern and contemporary trends is likewise idiosyncratic and entertaining: Who else plays Nono and Messiaen as well as John Adams and Philip Glass? This guy.
I. Allegro non molto - Allegro
I. Quarter note = 104 — quarter note = 120
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)
Kiesewetter
Chaplin: Modern Times
A. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25
Stück d-moll für Violine und Klavier (early work) (Piece in D minor for violin and piano)
C. M. von Weber: Quartet For Piano, Violin, Viola, and Violoncello in B Flat major, Op.8 (J76)
II. Lento, con molto sentimento
Marija Nemanyte, Khatia Buniatishvili, Giedrė Dirvanauskaitė, Gidon Kremer, Maxim Rysanov
I. Ludus (Live from Bonn, 1977)
Saulius Sondeckis, Alfred Schnittke, Tatjana Grindenko, Lithuanian Chamber Orchestra, Gidon Kremer
Nostalghia, in Memory of Andrei Tarkovsky
Stevan Kovacs Tickmayer
8 Hymns in memoriam Andrei Tarkovsky
Andrei Pushkarev, Khatia Buniatishvili, Gidon Kremer, Kremerata Baltica, Roman Kofman
IV. Andante ma non troppo e molto cantabile (Arr. for String Orchestra, Arr. for String Orchestra)
Piazzolla