Ouvertüre
Anja Kampe, Nathan Vale, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Mark Elder
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright
Dialog "Jaquino, Jaquino!"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Mark Elder, Lisa Milne, Thomas Blunt
Arie "O wär' ich schon mit dir vereint"
Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Nathan Vale
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anja Kampe, Lisa Milne, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus
Quartett "Mir ist so wunderbar"
Mark Elder, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Thomas Blunt, Brindley Sherratt
Arie "Hat man nicht auch Gold beineben"
Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Lisa Milne, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Henry Waddington
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Mark Elder, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne
Marsch
Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Die Depeschen"
Thomas Blunt, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Nathan Vale, Brindley Sherratt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus
Arie mit Chor "Ha! Welch ein Augenblick!"
Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Thomas Blunt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Anja Kampe
Rezitativ "Abscheulicher! Wo eilst du hin?"
Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Thomas Blunt, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy
Dialog "Aber Marzelline"
Mark Elder, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe
Finale "O welche Lust!"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus
Finale "Nun sprecht, wie ging's?"
Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt
Finale "Ach! Vater, eilt!"
Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe, Mark Elder
Finale "Leb' wohl, du warmes Sonnenlicht"
Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe
Introduction to Act 2
Thomas Blunt, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Arie "Gott! Welch' Dunkel hier!"
Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Thomas Blunt
Arie "In des Lebens Frühlingstagen"
Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Torsten Kerl, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Mark Elder
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt
Duett "Nur hurtig fort, nur frisch gegraben"
Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder
Dialog "Er erwacht!"
Nathan Vale, Brindley Sherratt, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe
Terzett "Euch werde Lohn in besser'n Welten"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Brindley Sherratt, Nathan Vale
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Thomas Blunt
Quartett "Er sterbe!"
Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Anja Kampe
Dialog "Vater Rocco!"
Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale
Dialog "Es schlägt der Rache Stunde!"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Lisa Milne, Nathan Vale, Anthony Cleverton
Dialog "Meine Leonore, was hast du für mich erduldet!"
Torsten Kerl, Nathan Vale, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder
Duett "O namenlose Freude!"
Nathan Vale, Torsten Kerl, Brindley Sherratt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington
Dialog "Gute Botschaft"
Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Anja Kampe, Lisa Milne, Peter Coleman-Wright
Finale "Heil sei dem Tag, Heil sei der Stunde"
Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder
Finale "Des besten königs Wink und Wille"
Anja Kampe, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt
Finale "Gott! Welch ein Augenblick!"
Mark Elder, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe