‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Thomas Blunt

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, Lisa Milne

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus

2:17

Marsch

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Lisa Milne

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Mark Elder, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra

1:37

Finale "O welche Lust!"

Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, The Glyndebourne Chorus

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Mark Elder

0:57

Quartett "Er sterbe!"

Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, Mark Elder

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:18

Dialog "Es schlägt der Rache Stunde!"

London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder

2:55

Dialog "Gute Botschaft"

Anthony Cleverton, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Anja Kampe, Torsten Kerl

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album