Ouvertüre
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Jaquino, Jaquino!"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne
Arie "O wär' ich schon mit dir vereint"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy
Quartett "Mir ist so wunderbar"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder
Dialog "Höre, Fidelio..."
Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Hat man nicht auch Gold beineben"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy
Dialog "Ihr habt schon recht, Meister Rocco"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Terzett "Nur auf der Hut, dann geht es gut"
Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton
Marsch
Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Dialog "Die Depeschen"
Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Arie mit Chor "Ha! Welch ein Augenblick!"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus
Duett "Jetzt, Alter, jetzt hat es Eile!"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Rezitativ "Abscheulicher! Wo eilst du hin?"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Arie "Komm, Hoffnung, lass den letzten Stern"
London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Dialog "Aber Marzelline"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "O welche Lust!"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne
Finale "Nun sprecht, wie ging's?"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Finale "Ach! Vater, eilt!"
The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Finale "Leb' wohl, du warmes Sonnenlicht"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder
Introduction to Act 2
London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus
Arie "Gott! Welch' Dunkel hier!"
London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder
Arie "In des Lebens Frühlingstagen"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Duett "Nur hurtig fort, nur frisch gegraben"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Er erwacht!"
London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Terzett "Euch werde Lohn in besser'n Welten"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne
Quartett "Er sterbe!"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Dialog "Vater Rocco!"
Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Es schlägt der Rache Stunde!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne
Dialog "Meine Leonore, was hast du für mich erduldet!"
Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Duett "O namenlose Freude!"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy
Dialog "Gute Botschaft"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Finale "Heil sei dem Tag, Heil sei der Stunde"
Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Finale "Des besten königs Wink und Wille"
Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Finale "Gott! Welch ein Augenblick!"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Mark Elder