‎Beethoven: Fidelio, Op. 72 by Nathan Vale

Ouvertüre

Henry Waddington, Anthony Cleverton, Anja Kampe, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Nathan Vale, Mark Elder, Anja Kampe, Brindley Sherratt, Andrew Kennedy, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

Mark Elder, Lisa Milne, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Nathan Vale, Anthony Cleverton, Mark Elder, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Lisa Milne, Nathan Vale, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Anthony Cleverton, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, Mark Elder, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Andrew Kennedy, Nathan Vale, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

2:17

Marsch

Peter Coleman-Wright, Anja Kampe, Nathan Vale, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Henry Waddington, Thomas Blunt

2:02

Dialog "Die Depeschen"

Andrew Kennedy, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Henry Waddington, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Anthony Cleverton, Lisa Milne, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Lisa Milne, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Anthony Cleverton, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Anja Kampe, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Henry Waddington, Lisa Milne, Peter Coleman-Wright, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Torsten Kerl, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton, Anja Kampe, Mark Elder, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, Mark Elder, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Torsten Kerl, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Henry Waddington, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Mark Elder, The Glyndebourne Chorus

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Torsten Kerl, Henry Waddington, Thomas Blunt, Mark Elder, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, Torsten Kerl, Thomas Blunt, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Brindley Sherratt, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Lisa Milne, Brindley Sherratt, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Lisa Milne, Henry Waddington, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

3:59

Dialog "Er erwacht!"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Mark Elder, Lisa Milne, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Mark Elder, Nathan Vale, Lisa Milne, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Henry Waddington, Mark Elder, Brindley Sherratt, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Andrew Kennedy, Anthony Cleverton, Anja Kampe

0:57

Quartett "Er sterbe!"

Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Brindley Sherratt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington

0:18

Dialog "Es schlägt der Rache Stunde!"

Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Andrew Kennedy, Henry Waddington, Nathan Vale, Torsten Kerl, Anthony Cleverton

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Henry Waddington, Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Anja Kampe

0:09

Duett "O namenlose Freude!"

Mark Elder, Henry Waddington, Lisa Milne, Nathan Vale, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, Henry Waddington, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Torsten Kerl, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt

2:04

Finale "Des besten königs Wink und Wille"

Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Anthony Cleverton, Anja Kampe, Torsten Kerl, Peter Coleman-Wright

4:44

Finale "Gott! Welch ein Augenblick!"

Anthony Cleverton, Henry Waddington, Thomas Blunt, Lisa Milne, Mark Elder, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Mark Elder

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Mark Elder

Conductor
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album