‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

London Philharmonic Orchestra, Nathan Vale, Mark Elder, Anthony Cleverton, Lisa Milne, Anja Kampe, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe, Andrew Kennedy, Torsten Kerl, Henry Waddington, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus

4:43

Dialog "Jaquino, Jaquino!"

Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Henry Waddington, Lisa Milne, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Andrew Kennedy, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Mark Elder, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Henry Waddington, Mark Elder, Lisa Milne, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Anja Kampe, Andrew Kennedy, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Anthony Cleverton, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Lisa Milne, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Lisa Milne, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anja Kampe, Mark Elder, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus

2:17

Marsch

Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Nathan Vale, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

2:02

Dialog "Die Depeschen"

Lisa Milne, Torsten Kerl, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Mark Elder, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Torsten Kerl, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Brindley Sherratt, Mark Elder, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Mark Elder, Lisa Milne, Nathan Vale, Henry Waddington, Thomas Blunt, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Mark Elder, Torsten Kerl, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Thomas Blunt, Nathan Vale, Lisa Milne, Anthony Cleverton, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington

5:44

Dialog "Aber Marzelline"

The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Mark Elder, Torsten Kerl, Andrew Kennedy, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Lisa Milne, Peter Coleman-Wright, Anja Kampe

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Thomas Blunt, Mark Elder, Torsten Kerl, Lisa Milne, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, Mark Elder, Brindley Sherratt, Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Henry Waddington, Lisa Milne, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Mark Elder, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Lisa Milne, Henry Waddington, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Henry Waddington, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Lisa Milne, Henry Waddington, Torsten Kerl, Anthony Cleverton, Nathan Vale, Thomas Blunt, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Anja Kampe

0:57

Quartett "Er sterbe!"

Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Anthony Cleverton, Nathan Vale, Henry Waddington, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

3:32

Dialog "Vater Rocco!"

Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Lisa Milne, Thomas Blunt, Nathan Vale, Andrew Kennedy, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Mark Elder, Torsten Kerl, Brindley Sherratt, Henry Waddington, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Mark Elder, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Lisa Milne, Henry Waddington, Mark Elder, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Henry Waddington, Nathan Vale, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Mark Elder, Lisa Milne, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Mark Elder, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Lisa Milne, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, Mark Elder

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album