Act I Scene 1: Preludio
Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Beverly Sills
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Gian Piero Mastromei, Victor de Narke, Beverly Sills, Alfredo Kraus, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini
Act I Scene 1: Tu sei turbato! (Normanno)
Juan Emilio Martini, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Gian Piero Mastromei, Jose Nait
Act I Scene 1: Cruda funesta smania (Enrico)
Alfredo Kraus, Juan Emilio Martini, Victor de Narke, Lidia de la Merced, Beverly Sills, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Beverly Sills, Juan Emilio Martini, Alfredo Kraus
Act I Scene 1: La pietade in suo favore (Enrico)
Gian Piero Mastromei, Juan Emilio Martini, Beverly Sills, Jose Nait, Alfredo Kraus, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Preludio
Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Jose Nait, Victor de Narke, Beverly Sills, Juan Emilio Martini
Act I Scene 2: Ancor non giunse! (Lucia)
Lidia de la Merced, Jose Nait, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act I Scene 2: Regnava nel silenzio (Lucia)
Beverly Sills, Jose Nait, Juan Emilio Martini, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Quando rapito in estasi (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Jose Nait
Act I Scene 2: Egli s'avanza (Alisa)
Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Alfredo Kraus, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Juan Emilio Martini
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Juan Emilio Martini, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Victor de Narke
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Beverly Sills, Alfredo Kraus, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Juan Emilio Martini, Lidia de la Merced, Victor de Narke
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Jose Nait, Beverly Sills
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Beverly Sills, Juan Emilio Martini, Jose Nait, Alfredo Kraus, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei
Act II Scene 1: Appressati, Lucia (Lucia)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Gian Piero Mastromei
Act II Scene 1: Soffriva nel pianto … (Lucia)
Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Victor de Narke
Act II Scene 1: Che fia … (Lucia)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Jose Nait, Gian Piero Mastromei, Alfredo Kraus, Juan Emilio Martini, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Beverly Sills, Jose Nait, Juan Emilio Martini, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra
Act II Scene 2: Ebben? (Lucia)
Jose Nait, Beverly Sills, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Victor de Narke, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Lidia de la Merced, Alfredo Kraus
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Alfredo Kraus, Lidia de la Merced, Victor de Narke, Gian Piero Mastromei, Beverly Sills
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Victor de Narke, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra
Act II Scene 2: Dov'e Lucia? (Arturo)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Jose Nait, Beverly Sills, Juan Emilio Martini
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Alfredo Kraus, Victor de Narke, Jose Nait, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Lidia de la Merced, Beverly Sills, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait
Act III Scene 1: Orrida e questa notte (Edgardo)
Jose Nait, Victor de Narke, Lidia de la Merced, Beverly Sills, Juan Emilio Martini, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Beverly Sills
Act III Scene 2: D'immenso giubilo (Chorus)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Alfredo Kraus, Juan Emilio Martini
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Gian Piero Mastromei, Juan Emilio Martini
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Gian Piero Mastromei, Beverly Sills, Jose Nait
Act III Scene 2: Oh giusto cielo! (Chorus)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills, Juan Emilio Martini, Jose Nait, Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait
Act III Scene 2: S'avanza Enrico (Raimondo)
Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini
Act III Scene 2: Si tragga altrove (Enrico)
Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Victor de Narke, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Jose Nait, Beverly Sills, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Victor de Narke, Alfredo Kraus
Act III Scene 3: Oh, meschina! (Chorus)
Alfredo Kraus, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Beverly Sills
