Act I Scene 1: Preludio
Lidia de la Merced, Alfredo Kraus, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Jose Nait, Beverly Sills
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Alfredo Kraus, Jose Nait, Beverly Sills
Act I Scene 1: Tu sei turbato! (Normanno)
Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Victor de Narke, Beverly Sills
Act I Scene 1: Cruda funesta smania (Enrico)
Victor de Narke, Lidia de la Merced, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Jose Nait, Juan Emilio Martini
Act I Scene 1: La pietade in suo favore (Enrico)
Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Lidia de la Merced
Act I Scene 2: Preludio
Alfredo Kraus, Juan Emilio Martini, Victor de Narke, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Ancor non giunse! (Lucia)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Lidia de la Merced, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait
Act I Scene 2: Regnava nel silenzio (Lucia)
Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Victor de Narke, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Quando rapito in estasi (Lucia)
Jose Nait, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Alfredo Kraus
Act I Scene 2: Egli s'avanza (Alisa)
Lidia de la Merced, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Beverly Sills, Alfredo Kraus, Juan Emilio Martini
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Juan Emilio Martini, Victor de Narke, Beverly Sills
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Victor de Narke
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Lidia de la Merced, Gian Piero Mastromei, Beverly Sills, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Juan Emilio Martini, Beverly Sills, Jose Nait, Victor de Narke, Lidia de la Merced
Act II Scene 1: Appressati, Lucia (Lucia)
Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Jose Nait, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Soffriva nel pianto … (Lucia)
Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Alfredo Kraus
Act II Scene 1: Che fia … (Lucia)
Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus, Beverly Sills
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Victor de Narke, Alfredo Kraus
Act II Scene 2: Ebben? (Lucia)
Lidia de la Merced, Jose Nait, Beverly Sills, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Jose Nait, Victor de Narke, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Jose Nait, Lidia de la Merced, Gian Piero Mastromei
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Lidia de la Merced, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Jose Nait
Act II Scene 2: Dov'e Lucia? (Arturo)
Alfredo Kraus, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Gian Piero Mastromei, Jose Nait
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Jose Nait, Lidia de la Merced
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Victor de Narke, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait
Act III Scene 1: Orrida e questa notte (Edgardo)
Jose Nait, Juan Emilio Martini, Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Beverly Sills, Victor de Narke
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act III Scene 2: D'immenso giubilo (Chorus)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Jose Nait, Gian Piero Mastromei, Juan Emilio Martini, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Jose Nait, Victor de Narke, Lidia de la Merced, Juan Emilio Martini
Act III Scene 2: Oh giusto cielo! (Chorus)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act III Scene 2: S'avanza Enrico (Raimondo)
Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Victor de Narke, Jose Nait
Act III Scene 2: Si tragga altrove (Enrico)
Jose Nait, Victor de Narke, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Beverly Sills, Lidia de la Merced
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Beverly Sills
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Juan Emilio Martini, Victor de Narke, Gian Piero Mastromei, Jose Nait
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Alfredo Kraus, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra
Act III Scene 3: Oh, meschina! (Chorus)
Alfredo Kraus, Juan Emilio Martini, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Jose Nait, Juan Emilio Martini, Gian Piero Mastromei
