‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Nathan Vale

4:43

Dialog "Jaquino, Jaquino!"

Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Peter Coleman-Wright

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Nathan Vale, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Mark Elder, Thomas Blunt, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Torsten Kerl

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Marsch

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Nathan Vale, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Torsten Kerl, Mark Elder, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

2:49

Finale "Nun sprecht, wie ging's?"

Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:19

Introduction to Act 2

Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Anja Kampe, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Anja Kampe, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale

3:59

Dialog "Er erwacht!"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anja Kampe, Nathan Vale, London Philharmonic Orchestra

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder, Nathan Vale

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:57

Quartett "Er sterbe!"

Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anja Kampe, Nathan Vale

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Nathan Vale

0:09

Duett "O namenlose Freude!"

Lisa Milne, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Anja Kampe, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, Anja Kampe, Mark Elder, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anja Kampe, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Anja Kampe

Soprano
Lisa Milne

Soprano
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album