‎Beethoven: Fidelio, Op. 72 by The Glyndebourne Chorus

Ouvertüre

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Anthony Cleverton, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt, Nathan Vale, Torsten Kerl

0:55

Arie "O wär' ich schon mit dir vereint"

Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Anthony Cleverton, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Nathan Vale, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Mark Elder, Thomas Blunt, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Anja Kampe, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Nathan Vale, Torsten Kerl, Brindley Sherratt, Anja Kampe

2:17

Marsch

The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Anja Kampe

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Torsten Kerl, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Thomas Blunt, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anja Kampe

5:44

Dialog "Aber Marzelline"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Nathan Vale, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

1:37

Finale "O welche Lust!"

Torsten Kerl, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Mark Elder

2:49

Finale "Nun sprecht, wie ging's?"

Nathan Vale, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Anja Kampe, Brindley Sherratt

4:58

Finale "Ach! Vater, eilt!"

Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Mark Elder, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Mark Elder, Nathan Vale, Lisa Milne, Brindley Sherratt, Thomas Blunt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Anthony Cleverton, Nathan Vale, Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Anja Kampe, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Thomas Blunt, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Mark Elder, Anja Kampe

3:59

Dialog "Er erwacht!"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe

0:57

Quartett "Er sterbe!"

Anthony Cleverton, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Lisa Milne, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, Nathan Vale, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Nathan Vale, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:09

Duett "O namenlose Freude!"

Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

2:55

Dialog "Gute Botschaft"

Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Anja Kampe, Brindley Sherratt

2:04

Finale "Des besten königs Wink und Wille"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Anja Kampe, Nathan Vale, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Peter Coleman-Wright

Baritone
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album