‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Torsten Kerl, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Andrew Kennedy, Anja Kampe, Henry Waddington, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Henry Waddington, Lisa Milne, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Henry Waddington, Mark Elder, Brindley Sherratt, Anja Kampe, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Nathan Vale, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Mark Elder, Thomas Blunt, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Mark Elder, Anja Kampe, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Lisa Milne

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Torsten Kerl, Andrew Kennedy, Henry Waddington, Brindley Sherratt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Henry Waddington, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

2:17

Marsch

Henry Waddington, Torsten Kerl, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Mark Elder

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Thomas Blunt, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Henry Waddington, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Andrew Kennedy, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Mark Elder

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Henry Waddington, Nathan Vale, Mark Elder, Thomas Blunt, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Henry Waddington, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Henry Waddington, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Anja Kampe

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Mark Elder, Torsten Kerl, Anja Kampe, Peter Coleman-Wright, Lisa Milne

1:37

Finale "O welche Lust!"

Torsten Kerl, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Mark Elder, Lisa Milne, Andrew Kennedy, Anthony Cleverton, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Peter Coleman-Wright

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Mark Elder, Torsten Kerl, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Andrew Kennedy, Thomas Blunt, Lisa Milne

4:19

Introduction to Act 2

Nathan Vale, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Andrew Kennedy, Torsten Kerl

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt, Henry Waddington, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra

2:11

Arie "In des Lebens Frühlingstagen"

Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Mark Elder, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Thomas Blunt, Mark Elder, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

The Glyndebourne Chorus, Henry Waddington, Thomas Blunt, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Nathan Vale, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

3:59

Dialog "Er erwacht!"

Lisa Milne, Mark Elder, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Andrew Kennedy, Anthony Cleverton, Lisa Milne, Nathan Vale, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Andrew Kennedy, London Philharmonic Orchestra, Henry Waddington, Peter Coleman-Wright, Mark Elder, Nathan Vale, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

0:57

Quartett "Er sterbe!"

Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anja Kampe

3:32

Dialog "Vater Rocco!"

Nathan Vale, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Mark Elder, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Mark Elder, Anja Kampe

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Andrew Kennedy, Anja Kampe, Nathan Vale, Brindley Sherratt, Thomas Blunt, Mark Elder, Henry Waddington

2:55

Dialog "Gute Botschaft"

Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Nathan Vale, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, Lisa Milne, Brindley Sherratt, Henry Waddington, Mark Elder, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl

2:04

Finale "Des besten königs Wink und Wille"

Thomas Blunt, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Andrew Kennedy, Henry Waddington, Anthony Cleverton

4:44

Finale "Gott! Welch ein Augenblick!"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, Torsten Kerl, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Mark Elder, Lisa Milne, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Henry Waddington

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Mark Elder

Conductor

Beethoven: Fidelio, Op. 72

On This Album