‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Thomas Blunt, Mark Elder

0:55

Arie "O wär' ich schon mit dir vereint"

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, Torsten Kerl

2:17

Marsch

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton

2:02

Dialog "Die Depeschen"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Lisa Milne, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Anthony Cleverton

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

4:19

Introduction to Act 2

Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Andrew Kennedy, Henry Waddington, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe

3:59

Dialog "Er erwacht!"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

0:57

Quartett "Er sterbe!"

Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

3:32

Dialog "Vater Rocco!"

Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Torsten Kerl

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:44

Finale "Gott! Welch ein Augenblick!"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Anja Kampe

Soprano
Lisa Milne

Soprano
Peter Coleman-Wright

Baritone

Beethoven: Fidelio, Op. 72

On This Album