‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Anja Kampe, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Nathan Vale

0:55

Arie "O wär' ich schon mit dir vereint"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Nathan Vale, Mark Elder, Peter Coleman-Wright, Lisa Milne

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Torsten Kerl, Anja Kampe, Nathan Vale, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

2:17

Marsch

Nathan Vale, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

2:02

Dialog "Die Depeschen"

Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Nathan Vale

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Brindley Sherratt, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Torsten Kerl, Anja Kampe, Nathan Vale, Mark Elder, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra

3:59

Dialog "Er erwacht!"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Thomas Blunt, Torsten Kerl, Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

0:57

Quartett "Er sterbe!"

Anja Kampe, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy

0:18

Dialog "Es schlägt der Rache Stunde!"

Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder

2:55

Dialog "Gute Botschaft"

Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album