Ouvertüre
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Jaquino, Jaquino!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl
Arie "O wär' ich schon mit dir vereint"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Dialog "Höre, Fidelio..."
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Arie "Hat man nicht auch Gold beineben"
Torsten Kerl, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt
Dialog "Ihr habt schon recht, Meister Rocco"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Nur auf der Hut, dann geht es gut"
Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder
Marsch
London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Lisa Milne
Dialog "Die Depeschen"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt
Arie mit Chor "Ha! Welch ein Augenblick!"
Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Duett "Jetzt, Alter, jetzt hat es Eile!"
London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Torsten Kerl
Rezitativ "Abscheulicher! Wo eilst du hin?"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "Komm, Hoffnung, lass den letzten Stern"
Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Aber Marzelline"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder
Finale "O welche Lust!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt
Finale "Nun sprecht, wie ging's?"
Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Ach! Vater, eilt!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Finale "Leb' wohl, du warmes Sonnenlicht"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder
Introduction to Act 2
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "Gott! Welch' Dunkel hier!"
Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy
Arie "In des Lebens Frühlingstagen"
Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Duett "Nur hurtig fort, nur frisch gegraben"
Mark Elder, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Er erwacht!"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy
Terzett "Euch werde Lohn in besser'n Welten"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Quartett "Er sterbe!"
London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder
Dialog "Vater Rocco!"
Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt
Dialog "Es schlägt der Rache Stunde!"
Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Meine Leonore, was hast du für mich erduldet!"
Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus
Duett "O namenlose Freude!"
Torsten Kerl, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne
Dialog "Gute Botschaft"
Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy
Finale "Heil sei dem Tag, Heil sei der Stunde"
Thomas Blunt, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Des besten königs Wink und Wille"
Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra
Finale "Gott! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus