Ouvertüre
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus
Dialog "Jaquino, Jaquino!"
Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Arie "O wär' ich schon mit dir vereint"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl
Quartett "Mir ist so wunderbar"
Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne
Dialog "Höre, Fidelio..."
Lisa Milne, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Arie "Hat man nicht auch Gold beineben"
London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Dialog "Ihr habt schon recht, Meister Rocco"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt
Terzett "Nur auf der Hut, dann geht es gut"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy
Marsch
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Die Depeschen"
Torsten Kerl, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus
Arie mit Chor "Ha! Welch ein Augenblick!"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Lisa Milne, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Duett "Jetzt, Alter, jetzt hat es Eile!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Arie "Komm, Hoffnung, lass den letzten Stern"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Mark Elder, London Philharmonic Orchestra
Dialog "Aber Marzelline"
Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder
Finale "O welche Lust!"
Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Nun sprecht, wie ging's?"
The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Ach! Vater, eilt!"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Finale "Leb' wohl, du warmes Sonnenlicht"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt
Introduction to Act 2
Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton
Arie "Gott! Welch' Dunkel hier!"
Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Arie "In des Lebens Frühlingstagen"
Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Duett "Nur hurtig fort, nur frisch gegraben"
Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl
Dialog "Er erwacht!"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Terzett "Euch werde Lohn in besser'n Welten"
Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Quartett "Er sterbe!"
Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt
Dialog "Vater Rocco!"
Lisa Milne, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Dialog "Meine Leonore, was hast du für mich erduldet!"
Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Duett "O namenlose Freude!"
London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt
Dialog "Gute Botschaft"
The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy
Finale "Heil sei dem Tag, Heil sei der Stunde"
London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl
Finale "Des besten königs Wink und Wille"
Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl
Finale "Gott! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl