‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Anja Kampe, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Thomas Blunt, Anja Kampe, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Mark Elder, London Philharmonic Orchestra

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Anja Kampe, Torsten Kerl, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Mark Elder, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Anja Kampe

2:17

Marsch

The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

1:37

Finale "O welche Lust!"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Thomas Blunt, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Nathan Vale, Mark Elder, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Nathan Vale, Thomas Blunt, Torsten Kerl, Anja Kampe, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt

3:59

Dialog "Er erwacht!"

Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Anthony Cleverton, Nathan Vale, Lisa Milne, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra

0:57

Quartett "Er sterbe!"

The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder, Brindley Sherratt

3:32

Dialog "Vater Rocco!"

Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Lisa Milne, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Brindley Sherratt, Anja Kampe, Torsten Kerl

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Lisa Milne, Anja Kampe

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Anthony Cleverton, Lisa Milne, Thomas Blunt, Anja Kampe, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Anthony Cleverton, Mark Elder

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, Nathan Vale, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, Nathan Vale, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Mark Elder

Conductor
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album