O mio babbino caro (Arr. for Cello and Orchestra)
Cello at the Opera
Many say that the cello is the closest instrument to the human voice, which seems true in these passionate interpretations of beloved arias. Mozart’s soaring lyricism settles perfectly here, as do the heroic and tragic melodies of Puccini and Verdi. Maer evokes the full breadth of the human instrument with this satisfying effort.
Au fond du temple saint (Arr. for Cello and Orchestra)
4. Pie Jesu (Arr. Joseph Twist)
Michelle Kelly, Kirsty McCahon, Sally Maer, Stefan Duwe, Rosemary Quinn, Narine Melconian, Catherine Davis
Aria: Voi che sapete (Arr. Joseph Twist)
Michelle Kelly, Stefan Duwe, Rosemary Quinn, Sally Maer, Jason Noble, Andrew Barnes, Narine Melconian
Pur ti miro (Arr. Joseph Twist)
Michelle Kelly, Catherine Davis, Sally Maer, Stefan Duwe, Narine Melconian, Rosemary Quinn
Sous le dôme épais (Arr. for Cello and Orchestra)
Time To Say Goodbye (Con te partirò) (Arr. Joseph Twist)
Narine Melconian, Rosemary Quinn, Kirsty McCahon, Sally Maer, Stefan Duwe, Michelle Kelly
Libiamo ne'lieti calici (Brindisi) (Arr. for Cello and Orchestra)
Séguedille (Près des remparts de Séville) (Arr. for Cello and Orchestra)
Song To The Moon (Arr. for Cello and Orchestra)
Abendsegen (Arr. Joseph Twist)
Stefan Duwe, Kirsty McCahon, Sally Maer, Rosemary Quinn, Narine Melconian, Michelle Kelly
Where'er You Walk (Arr. Joseph Twist)
Michelle Kelly, Catherine Davis, Stefan Duwe, Rosemary Quinn, Kirsty McCahon, Sally Maer, Narine Melconian
Dido's Lament: When I Am Laid In Earth (Arr. Joseph Twist)
Kirsty McCahon, Sally Maer, Catherine Davis, Narine Melconian, Rosemary Quinn, Michelle Kelly, Stefan Duwe
Soave sia il vento (Arr. for Cello and Orchestra)
La donna è mobile (Arr. for Cello and Orchestra)