‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Peter Coleman-Wright, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Lisa Milne, Andrew Kennedy, Mark Elder, Thomas Blunt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Mark Elder, Henry Waddington

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Andrew Kennedy, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anthony Cleverton

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Brindley Sherratt, Henry Waddington, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Mark Elder

1:28

Quartett "Mir ist so wunderbar"

Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Mark Elder, Nathan Vale, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton

4:35

Dialog "Höre, Fidelio..."

Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Mark Elder, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe, Lisa Milne

0:44

Arie "Hat man nicht auch Gold beineben"

Andrew Kennedy, Brindley Sherratt, Lisa Milne, Nathan Vale, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Mark Elder, Anthony Cleverton, Anja Kampe, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Henry Waddington

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Andrew Kennedy, Anja Kampe, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

1:30

Terzett "Nur auf der Hut, dann geht es gut"

London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Torsten Kerl, Andrew Kennedy

2:17

Marsch

Anja Kampe, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Nathan Vale, Torsten Kerl, Mark Elder

2:02

Dialog "Die Depeschen"

Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Anja Kampe, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Henry Waddington, Torsten Kerl, Andrew Kennedy, Mark Elder, Anja Kampe, Nathan Vale, Peter Coleman-Wright, The Glyndebourne Chorus

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, Anthony Cleverton, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Anja Kampe, Thomas Blunt, Nathan Vale

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Thomas Blunt, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Lisa Milne, Henry Waddington, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Mark Elder, Torsten Kerl, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Lisa Milne

5:44

Dialog "Aber Marzelline"

Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Anja Kampe, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Mark Elder

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Torsten Kerl, Anja Kampe, Mark Elder, Andrew Kennedy, Lisa Milne, Henry Waddington

2:49

Finale "Nun sprecht, wie ging's?"

Brindley Sherratt, Torsten Kerl, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Nathan Vale

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Thomas Blunt, Anja Kampe, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Nathan Vale, Anja Kampe, Anthony Cleverton, Lisa Milne, Mark Elder, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale

4:19

Introduction to Act 2

Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Torsten Kerl, Lisa Milne, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Nathan Vale

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Nathan Vale, Anja Kampe, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Mark Elder, Henry Waddington, Torsten Kerl

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Mark Elder, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anja Kampe, Brindley Sherratt, Mark Elder, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra

3:59

Dialog "Er erwacht!"

Andrew Kennedy, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Lisa Milne, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Anthony Cleverton, Mark Elder, Lisa Milne, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra

0:57

Quartett "Er sterbe!"

Henry Waddington, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Nathan Vale, Brindley Sherratt, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Lisa Milne

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Anja Kampe, Torsten Kerl

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Andrew Kennedy, Brindley Sherratt, Anja Kampe, Torsten Kerl, Mark Elder, Nathan Vale, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra

0:09

Duett "O namenlose Freude!"

The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, Anthony Cleverton, Mark Elder, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Torsten Kerl

2:55

Dialog "Gute Botschaft"

Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Thomas Blunt, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Mark Elder, Nathan Vale, Anthony Cleverton

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, Henry Waddington, Anja Kampe, Thomas Blunt, Lisa Milne, Brindley Sherratt, Mark Elder, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Henry Waddington, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Mark Elder

Conductor
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album