‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Mark Elder, Thomas Blunt, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anja Kampe, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:28

Quartett "Mir ist so wunderbar"

Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

2:17

Marsch

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:02

Dialog "Die Depeschen"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright

5:44

Dialog "Aber Marzelline"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:37

Finale "O welche Lust!"

Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Lisa Milne

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

4:19

Introduction to Act 2

Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt

3:59

Dialog "Er erwacht!"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Thomas Blunt, Anja Kampe, Brindley Sherratt, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

0:57

Quartett "Er sterbe!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Lisa Milne

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album