Weill: Symphony No.2, Seven Deadly Sins etc.
Various Artists
Kurt Weill made his name in 1920s Germany with the satirical theatre shows he composed with the playwright Bertolt Brecht, most famously The Threepenny Opera. In 1933, Weill, who was Jewish, left Nazi Germany for Paris. There he composed Die sieben Todsünden (The Seven Deadly Sins)—a ballet that’s both sung and danced—before moving to America and successfully reinventing himself as a composer of Broadway shows. Weill’s unique musical style combines mastery of classical technique with a brilliant flair for popular song-writing. Both aspects reach a pinnacle in The Seven Deadly Sins, where Simon Rattle’s conducting unerringly conveys the feeling of tragedy that lies just below the music’s surface irony. Weill’s Second Symphony, composed in the same year, is masterfully performed by the Berlin Philharmonic and conductor Mariss Jansons. And there’s also a selection of songs from The Threepenny Opera and other shows, with Robyn Archer an incisive vocalist.
Second movement: - NOTTURNO Allegro un poco tenuto
Third movement: Allegro molto, un poco agitato
Weill: Aufstieg und Fall der Stadt Mahagonny, Suite
Introduction: Meine Schwester und ich stammen aus Louisiana
Anthony Rolfe Johnson, Ian Caley, City of Birmingham Symphony Orchestra, Sir John Tomlinson, Sir Simon Rattle, Michael Rippon, Elise Ross
Faulheit (Sloth): Müssiggang ist aller Laster Anfang
Ian Caley, Sir Simon Rattle, City of Birmingham Symphony Orchestra, Sir John Tomlinson, Michael Rippon, Anthony Rolfe Johnson, Elise Ross
Stolz (Pride): Als wir aber ausgestattet waren
Sir Simon Rattle, Michael Rippon, Elise Ross, Ian Caley, Sir John Tomlinson, Anthony Rolfe Johnson, City of Birmingham Symphony Orchestra
Zorn (Anger): Das geht nicht vorwärts
Ian Caley, Anthony Rolfe Johnson, City of Birmingham Symphony Orchestra, Sir Simon Rattle, Michael Rippon, Sir John Tomlinson, Elise Ross
Völlerei (Gluttony): Das ist ein Brief aus Philadelphia
Sir Simon Rattle, Ian Caley, City of Birmingham Symphony Orchestra, Sir John Tomlinson, Elise Ross, Michael Rippon, Anthony Rolfe Johnson
Unzucht (Lechery): Und wir fanden einen Mann
Anthony Rolfe Johnson, Sir John Tomlinson, City of Birmingham Symphony Orchestra, Ian Caley, Sir Simon Rattle, Michael Rippon, Elise Ross
Habsucht (Avarice): Wie hier in der Zeitung steht
Anthony Rolfe Johnson, City of Birmingham Symphony Orchestra, Ian Caley, Sir Simon Rattle, Sir John Tomlinson, Elise Ross, Michael Rippon
Neid (Envy): Und die letzte Stadt
Anthony Rolfe Johnson, Michael Rippon, Ian Caley, City of Birmingham Symphony Orchestra, Sir John Tomlinson, Elise Ross, Sir Simon Rattle
Finaletto: Darauf kehrten wir zurück nach Louisiana
Ian Caley, City of Birmingham Symphony Orchestra, Michael Rippon, Elise Ross, Sir Simon Rattle, Anthony Rolfe Johnson, Sir John Tomlinson
Weill
The Ballad of Sexual Obsession (with orchestra)
Robyn Archer, John Constable, London Sinfonietta, Dominic Muldowney
Alabama Song (from Mahagonny) (1986 Digital Remaster)
Dominic Muldowney, London Sinfonietta, Robyn Archer
Weill: Epitaph 1919
Weill: Happy End
Weill