String Quartet in D Major

Just seconds after Haydn’s String Quartet No. 53 (Op.64/5) begins, a high-flying figuration unfurls on first violin above the rhythmic step of the three lower instruments. Its similarity to a bird call gives the quartet the nickname it is generally known by: “The Lark”. Much of the opening movement is benignly even-tempered in tone, though in its second half all four instruments join briefly in a gruff unison complaint—a discomfited ruffling of feathers, perhaps. The slow movement offers a serene hymn-like melody affectionately decorated by the first violin, with minor-key shadings briefly suggesting vulnerability in the middle section. The “Menuetto” is clipped and jaunty in style, with a garrulous central Trio where the instruments jostle one another for attention. The finale fizzes with vivacious energy, all four players engaging in a swashbuckling game of imitation as the movement spins to a dizzy-making conclusion.