‎Beethoven: Fidelio, Op. 72 by The Glyndebourne Chorus

Ouvertüre

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Nathan Vale, Torsten Kerl, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Lisa Milne, Thomas Blunt, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Mark Elder, Anja Kampe, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl

0:55

Arie "O wär' ich schon mit dir vereint"

Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Thomas Blunt, Anja Kampe, Lisa Milne

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Thomas Blunt

4:35

Dialog "Höre, Fidelio..."

Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Thomas Blunt, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Nathan Vale, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anja Kampe, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Mark Elder, Brindley Sherratt, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, Lisa Milne, Mark Elder, Anja Kampe, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt

2:17

Marsch

Thomas Blunt, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Mark Elder

2:02

Dialog "Die Depeschen"

Brindley Sherratt, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Torsten Kerl

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anja Kampe, Nathan Vale, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Thomas Blunt, Nathan Vale

1:37

Finale "O welche Lust!"

Torsten Kerl, Nathan Vale, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright

2:49

Finale "Nun sprecht, wie ging's?"

Nathan Vale, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

4:19

Introduction to Act 2

Mark Elder, Nathan Vale, Brindley Sherratt, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Torsten Kerl, Peter Coleman-Wright

2:11

Arie "In des Lebens Frühlingstagen"

Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Nathan Vale, Brindley Sherratt, Lisa Milne, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

3:59

Dialog "Er erwacht!"

Lisa Milne, Mark Elder, Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Thomas Blunt, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright

0:57

Quartett "Er sterbe!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Nathan Vale, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne

3:32

Dialog "Vater Rocco!"

Nathan Vale, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Anja Kampe, Lisa Milne, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Brindley Sherratt, Mark Elder, Torsten Kerl

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Nathan Vale, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Peter Coleman-Wright, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Brindley Sherratt

Bass
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album