Ouvertüre
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Lisa Milne, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Jaquino, Jaquino!"
Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy
Arie "O wär' ich schon mit dir vereint"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne
Quartett "Mir ist so wunderbar"
Torsten Kerl, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Höre, Fidelio..."
Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Hat man nicht auch Gold beineben"
Torsten Kerl, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Dialog "Ihr habt schon recht, Meister Rocco"
Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, The Glyndebourne Chorus
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Terzett "Nur auf der Hut, dann geht es gut"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Lisa Milne
Marsch
The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl
Dialog "Die Depeschen"
Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Arie mit Chor "Ha! Welch ein Augenblick!"
Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt
Rezitativ "Abscheulicher! Wo eilst du hin?"
Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Mark Elder
Arie "Komm, Hoffnung, lass den letzten Stern"
Thomas Blunt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Aber Marzelline"
Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Finale "O welche Lust!"
London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Nun sprecht, wie ging's?"
Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus
Finale "Ach! Vater, eilt!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Thomas Blunt
Introduction to Act 2
Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra
Arie "Gott! Welch' Dunkel hier!"
Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Arie "In des Lebens Frühlingstagen"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Duett "Nur hurtig fort, nur frisch gegraben"
The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Dialog "Er erwacht!"
London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Terzett "Euch werde Lohn in besser'n Welten"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl
Quartett "Er sterbe!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Dialog "Vater Rocco!"
The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Es schlägt der Rache Stunde!"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Meine Leonore, was hast du für mich erduldet!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Duett "O namenlose Freude!"
London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy
Dialog "Gute Botschaft"
Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Finale "Heil sei dem Tag, Heil sei der Stunde"
Thomas Blunt, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl
Finale "Des besten königs Wink und Wille"
Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus
Finale "Gott! Welch ein Augenblick!"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton