‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Mark Elder, Peter Coleman-Wright, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl

4:43

Dialog "Jaquino, Jaquino!"

Anja Kampe, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl

0:55

Arie "O wär' ich schon mit dir vereint"

Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Mark Elder

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Torsten Kerl

4:35

Dialog "Höre, Fidelio..."

Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

0:44

Arie "Hat man nicht auch Gold beineben"

Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus

2:17

Marsch

Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl

2:02

Dialog "Die Depeschen"

Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Torsten Kerl

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Nathan Vale, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra

1:37

Finale "O welche Lust!"

Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Torsten Kerl, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Nathan Vale

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Anja Kampe, Brindley Sherratt, Mark Elder, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt

0:57

Quartett "Er sterbe!"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Brindley Sherratt

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder

0:09

Duett "O namenlose Freude!"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder

2:55

Dialog "Gute Botschaft"

Anja Kampe, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Brindley Sherratt

Bass
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album