Ouvertüre
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Lisa Milne, Mark Elder
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Jaquino, Jaquino!"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Quartett "Mir ist so wunderbar"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Dialog "Höre, Fidelio..."
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Arie "Hat man nicht auch Gold beineben"
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Dialog "Ihr habt schon recht, Meister Rocco"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Terzett "Nur auf der Hut, dann geht es gut"
London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton
Marsch
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton
Dialog "Die Depeschen"
The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Arie mit Chor "Ha! Welch ein Augenblick!"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Duett "Jetzt, Alter, jetzt hat es Eile!"
Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Rezitativ "Abscheulicher! Wo eilst du hin?"
Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Dialog "Aber Marzelline"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus
Finale "O welche Lust!"
The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt
Finale "Nun sprecht, wie ging's?"
London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Ach! Vater, eilt!"
The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Finale "Leb' wohl, du warmes Sonnenlicht"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Introduction to Act 2
Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy
Arie "Gott! Welch' Dunkel hier!"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "In des Lebens Frühlingstagen"
The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Duett "Nur hurtig fort, nur frisch gegraben"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton
Dialog "Er erwacht!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton
Terzett "Euch werde Lohn in besser'n Welten"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne
Quartett "Er sterbe!"
London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder
Dialog "Vater Rocco!"
The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Meine Leonore, was hast du für mich erduldet!"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Duett "O namenlose Freude!"
Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Dialog "Gute Botschaft"
Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne
Finale "Heil sei dem Tag, Heil sei der Stunde"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder
Finale "Des besten königs Wink und Wille"
Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Finale "Gott! Welch ein Augenblick!"
The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton