Overture (Allegro moderato - Andante comodo - Allegro con brio)
Sadler's Wells Opera Orchestra· Alexander Faris
No. 1, Chorus, "If you want to know who we are" (Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· Alexander Faris
No. 2a, Recitative and Scena, "Gentlemen, I pray you tell me" (Nanki-Poo, A Noble)
John Wakefield· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· Alexander Faris· John Wakefield
No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)
John Heddle Nash· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)
Denis Dowling· Alexander Faris· Sadler's Wells Opera Orchestra· John Heddle Nash· John Wakefield
No. 4a, Recitative, "And have I journey'd for a month" (Nanki-Poo, Pooh-Bah)
Denis Dowling· Sadler's Wells Opera Orchestra· John Wakefield· Alexander Faris
No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)
Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· Clive Revill
No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)
Clive Revill· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 6, Chorus, "Comes a train of little ladies" (Girls)
David Tod-Boyd· Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra
No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)
Dorothy Nash· Marion Studholme· David Tod-Boyd· Patricia Kern· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls)
Patricia Kern· Dorothy Nash· John Heddle Nash· Denis Dowling· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Marion Studholme
No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)
Marion Studholme· John Wakefield· Sadler's Wells Opera Orchestra· Alexander Faris
No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)
Alexander Faris· Clive Revill· Denis Dowling· John Heddle Nash· Sadler's Wells Opera Orchestra
No. 11, Finale, "With aspect stern and gloomy stride" (Nobles, Girls, Pooh-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Dorothy Nash· Marion Studholme· David Tod-Boyd· Patricia Kern· Clive Revill· Denis Dowling· John Heddle Nash· John Wakefield
"Your revels cease!" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
David Tod-Boyd· John Wakefield· Patricia Kern· Clive Revill· Denis Dowling· Marion Studholme· John Heddle Nash· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· Dorothy Nash
No. 12, Chorus with Solo, "Braid the raven hair" (Girls, Pitti-Sing)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Patricia Kern
No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)
Marion Studholme· Sadler's Wells Opera Orchestra· Alexander Faris
No. 14, Madrigal, "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
Sadler's Wells Opera Orchestra· Alexander Faris· Marion Studholme· John Heddle Nash· John Wakefield· Patricia Kern
No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)
John Wakefield· Marion Studholme· Sadler's Wells Opera Orchestra· Clive Revill· Alexander Faris
No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)
John Holmes· Alexander Faris· David Tod-Boyd· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra
No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd· John Holmes
No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill· Denis Dowling· Patricia Kern
No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)
John Holmes· Clive Revill· Denis Dowling· Patricia Kern· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
Alexander Faris· John Wakefield· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Patricia Kern· Marion Studholme· Clive Revill· Denis Dowling· David Tod-Boyd
No. 21a, Recitative, "Alone, and yet alive" (Katisha)
Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 21b, Song, "Hearts do not break" (Katisha)
Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)
Clive Revill· Alexander Faris· Sadler's Wells Opera Orchestra
No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)
Jean Allister· Sadler's Wells Opera Orchestra· Clive Revill· Alexander Faris
No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Marion Studholme· John Holmes· Alexander Faris· Patricia Kern· Clive Revill· Denis Dowling· David Tod-Boyd· John Heddle Nash· Dorothy Nash· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· John Wakefield