Overture (Allegro moderato - Andante comodo - Allegro con brio)
Sadler's Wells Opera Orchestra· Alexander Faris
No. 1, Chorus, "If you want to know who we are" (Nobles)
Alexander Faris· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra
No. 2a, Recitative and Scena, "Gentlemen, I pray you tell me" (Nanki-Poo, A Noble)
Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· John Wakefield· David Tod-Boyd
No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· John Wakefield· Alexander Faris
No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd· John Heddle Nash
No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)
John Wakefield· John Heddle Nash· Sadler's Wells Opera Orchestra· Alexander Faris· Denis Dowling
No. 4a, Recitative, "And have I journey'd for a month" (Nanki-Poo, Pooh-Bah)
Denis Dowling· Alexander Faris· John Wakefield· Sadler's Wells Opera Orchestra
No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Clive Revill· David Tod-Boyd· Alexander Faris
No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)
Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· Clive Revill
No. 6, Chorus, "Comes a train of little ladies" (Girls)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd
No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)
Marion Studholme· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Dorothy Nash· Patricia Kern
No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls)
Denis Dowling· Marion Studholme· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Patricia Kern· Alexander Faris· John Heddle Nash· David Tod-Boyd· Dorothy Nash
No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)
Alexander Faris· Sadler's Wells Opera Orchestra· John Wakefield· Marion Studholme
No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)
Sadler's Wells Opera Orchestra· Alexander Faris· John Heddle Nash· Clive Revill· Denis Dowling
No. 11, Finale, "With aspect stern and gloomy stride" (Nobles, Girls, Pooh-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Dorothy Nash· John Heddle Nash· Alexander Faris· David Tod-Boyd· John Wakefield· Patricia Kern· Clive Revill· Denis Dowling· Marion Studholme
"Your revels cease!" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
John Heddle Nash· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill· Denis Dowling· Marion Studholme· John Wakefield· Dorothy Nash· Patricia Kern· David Tod-Boyd
No. 12, Chorus with Solo, "Braid the raven hair" (Girls, Pitti-Sing)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Patricia Kern· David Tod-Boyd
No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)
Alexander Faris· Sadler's Wells Opera Orchestra· Marion Studholme
No. 14, Madrigal, "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
John Wakefield· John Heddle Nash· Sadler's Wells Opera Orchestra· Alexander Faris· Patricia Kern· Marion Studholme
No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)
John Wakefield· Sadler's Wells Opera Orchestra· Clive Revill· Marion Studholme· Alexander Faris
No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)
Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· John Holmes· Alexander Faris· David Tod-Boyd
No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)
David Tod-Boyd· John Holmes· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)
Alexander Faris· Patricia Kern· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Clive Revill· Denis Dowling· David Tod-Boyd
No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)
Patricia Kern· John Holmes· Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra· Clive Revill· Denis Dowling
No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
Marion Studholme· Alexander Faris· John Wakefield· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Clive Revill· Denis Dowling· Patricia Kern· David Tod-Boyd
No. 21a, Recitative, "Alone, and yet alive" (Katisha)
Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 21b, Song, "Hearts do not break" (Katisha)
Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)
Clive Revill· Alexander Faris· Sadler's Wells Opera Orchestra
No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)
Clive Revill· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· John Wakefield· David Tod-Boyd· John Heddle Nash· Patricia Kern· Alexander Faris· John Holmes· Marion Studholme· Clive Revill· Denis Dowling· Dorothy Nash