‎Beethoven: Fidelio, Op. 72 by Nathan Vale

Ouvertüre

Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne

0:55

Arie "O wär' ich schon mit dir vereint"

Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Lisa Milne, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne

2:17

Marsch

Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl

2:02

Dialog "Die Depeschen"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Lisa Milne

5:44

Dialog "Aber Marzelline"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton

1:37

Finale "O welche Lust!"

Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Torsten Kerl

4:19

Introduction to Act 2

Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl, The Glyndebourne Chorus

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton

2:11

Arie "In des Lebens Frühlingstagen"

Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

0:57

Quartett "Er sterbe!"

Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton

3:32

Dialog "Vater Rocco!"

Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton

0:18

Dialog "Es schlägt der Rache Stunde!"

Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
Mark Elder

Conductor
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album