IV.b. Presto - "O Freunde nicht diese Töne" -
Carlo Maria Giulini Essentials
Apple Music Classical
Giulini started life as a viola player before turning to conducting: soon he was in the pit for Maria Callas' greatest triumphs (the Lisbon Traviata, for example). Early recordings with the Philharmonia reveal his acute sense for colour and atmosphere. A fine opera conductor, he left classic recordings of Mozart and Verdi (particularly Don Carlos). His years at the helm of the Los Angeles Philharmonic were golden ones, with outstanding accounts of Beethoven's Eroica and Tchaikovsky's Pathétique the highlights. His late recordings tended to be very slow but full of detail and glorious shades.
Et incarnatus est
VII. in Paradisum (Chorus)
Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London
I. Erwachen heiterer Empfindungen beI. der Ankunft auf dem Lande: Allegro ma non troppo
III. Finale. Allegro moderato
II. Kyrie
Philharmonia Chorus, Philharmonia Orchestra, Simon Estes, Keith Lewis, Horst Neumann, Jard van Ness, Carlo Maria Giulini, Lynne Dawson
III. Sequenz: VI. Lacrimosa
Jard van Ness, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini, Lynne Dawson, Simon Estes, Keith Lewis
No. 4 b) Romance "Je crois entendre encore"
II. Im tempo eines gemächlichen ländler - Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam
III. Rondo. Burleske (Allegro assai - Sehr trotzig - Presto)