I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Israel Philharmonic Orchestra, Leonard Bernstein, London Symphony Orchestra, Collegiate Chorale, Highgate School Boys Choir, New York Philharmonic, Boys' Choir of The Church of The Transfiguration
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Collegiate Chorale, Leonard Bernstein, New York Philharmonic, Lee Venora, Jennie Tourel
II. Tempo di Menuetto
Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, New York Philharmonic
III. Comodo. Scherzando
Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein
IV. Sehr langsam; Misterioso
Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Highgate School Boys Choir, Leonard Bernstein, Orpington Junior Singers, London Symphony Orchestra, London Symphony Chorus, Leeds Festival Chorus, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leonard Bernstein, Finchley Children's Music Group, Highgate School Boys Choir, London Symphony Chorus, Leeds Festival Chorus, Orpington Junior Singers, London Symphony Orchestra
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen