‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Mark Elder

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Mark Elder, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Mark Elder, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton

2:17

Marsch

Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Torsten Kerl

2:02

Dialog "Die Depeschen"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, The Glyndebourne Chorus

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Mark Elder

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Brindley Sherratt, Thomas Blunt, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

4:19

Introduction to Act 2

Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy

3:59

Dialog "Er erwacht!"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt

0:57

Quartett "Er sterbe!"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Torsten Kerl, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Thomas Blunt, Mark Elder, The Glyndebourne Chorus

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Brindley Sherratt

Bass
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album