‎Beethoven: Fidelio, Op. 72 by Brindley Sherratt

Ouvertüre

Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Henry Waddington, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Nathan Vale

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Lisa Milne, Henry Waddington, Anthony Cleverton, Mark Elder, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Torsten Kerl, Thomas Blunt, Henry Waddington, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Andrew Kennedy, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Henry Waddington, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, Nathan Vale, Henry Waddington, Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, Mark Elder, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Torsten Kerl, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Henry Waddington, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt

0:44

Arie "Hat man nicht auch Gold beineben"

Andrew Kennedy, Nathan Vale, Mark Elder, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Thomas Blunt, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Anja Kampe, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Anja Kampe, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Henry Waddington, Brindley Sherratt

2:17

Marsch

Mark Elder, Lisa Milne, Henry Waddington, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Andrew Kennedy, Nathan Vale

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Henry Waddington, Anja Kampe, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Mark Elder

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Henry Waddington, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Thomas Blunt, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Henry Waddington

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Henry Waddington, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton, Andrew Kennedy, Brindley Sherratt, Anja Kampe

5:44

Dialog "Aber Marzelline"

Mark Elder, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Nathan Vale, Torsten Kerl, Lisa Milne, Brindley Sherratt

1:37

Finale "O welche Lust!"

Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Anthony Cleverton, Thomas Blunt, Anja Kampe, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Anthony Cleverton, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra

4:58

Finale "Ach! Vater, eilt!"

Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Andrew Kennedy, Lisa Milne, Mark Elder

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Henry Waddington, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Henry Waddington, Torsten Kerl, Nathan Vale, Lisa Milne, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington

3:47

Arie "Gott! Welch' Dunkel hier!"

Andrew Kennedy, Torsten Kerl, Thomas Blunt, Anthony Cleverton, Lisa Milne, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Lisa Milne, Torsten Kerl, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Anthony Cleverton, Anja Kampe, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Anthony Cleverton, Thomas Blunt, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Anja Kampe

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Brindley Sherratt, Thomas Blunt, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Anthony Cleverton, Henry Waddington, Nathan Vale, Brindley Sherratt, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Thomas Blunt, Torsten Kerl, Mark Elder, Anja Kampe, Brindley Sherratt

0:57

Quartett "Er sterbe!"

Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

3:32

Dialog "Vater Rocco!"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Nathan Vale, Henry Waddington, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Lisa Milne, Henry Waddington, Nathan Vale, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Brindley Sherratt, Henry Waddington, Mark Elder, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Anja Kampe

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, Mark Elder, Henry Waddington, Torsten Kerl, Anthony Cleverton, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Mark Elder, Andrew Kennedy, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Anja Kampe, Nathan Vale, Henry Waddington, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, Mark Elder, Andrew Kennedy, Torsten Kerl, Anja Kampe, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Brindley Sherratt

4:23

Ludwig van Beethoven

Composer
Brindley Sherratt

Bass
London Philharmonic Orchestra

Orchestra
Andrew Kennedy

Tenor
Mark Elder

Conductor

Beethoven: Fidelio, Op. 72

On This Album